""Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all." So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, "The End of the History of Art?." "Known for his striking and original theories about the nature of art," according to the "Economist," Belting here examines how art is made, viewed, and interpreted today....
""Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direct...
""Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all." So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, "The End of the History of Art?." "Known for his striking and original theories about the nature of art," according to the "Economist," Belting here examines how art is made, viewed, and interpreted today....
""Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direct...
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. "A rarity within its genre--an art-historical...
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence
A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass media
This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation.
Belting divides his book...
A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass media
