In "Belated Travelers," Ali Behdad offers a compelling cultural critique of nineteenth-century travel writing and its dynamic function in European colonialism. Arriving too late to the Orient, at a time when tourism and colonialism had already turned the exotic into the familiar, late nineteenth-century European travelers to the Middle East experienced a sense of belatedness, of having missed the authentic experience once offered by a world that was already disappearing. Behdad argues that this nostalgic desire for the other contains an implicit critique of Western superiority, a split within...

In "A Forgetful Nation," the renowned postcolonialism scholar Ali Behdad turns his attention to the United States. Offering a timely critique of immigration and nationalism, Behdad takes on an idea central to American national mythology: that the United States is "a nation of immigrants," welcoming and generous to foreigners. He argues that Americans' treatment of immigrants and foreigners has long fluctuated between hospitality and hostility, and that this deep-seated ambivalence is fundamental to the construction of national identity. Building on the insights of Freud, Nietzsche, Foucault,...

In the decades after its invention in 1839, photography was inextricably linked to the Middle East. Introduced as a crucial tool for Egyptologists and Orientalists who needed to document their archaeological findings, the photograph was easier and faster to produce in intense Middle Eastern light--making the region one of the original sites for the practice of photography. A pioneering study of this intertwined history, Camera Orientalis traces the Middle East's influences on photography's evolution, as well as photography's effect on Europe's view of "the Orient."

Considering a...