This book accounts for the resurgence of Gothic, and its immense popularity, during the British fin de siecle. In particular, Kelly Hurley explores a key scenario that haunts the genre: the loss of a unified and stable human identity, and the emergence of a chaotic and transformative "abhuman" identity in its place. Gothic is revealed as a highly productive and speculative genre, strongly indebted to nineteenth-century scientific, medical and social theories, including evolutionism, criminal anthropology and degeneration theory.

This book looks at the ways Victorian ideas about gender and race supported British imperialism at the turn of the century. It examines the Boer War of 1899-1902 through the war writings of literary figures such as Arthur Conan Doyle, Olive Schreiner, H. Rider Haggard and Rudyard Kipling, and also through newspapers, propaganda, and other forms of public debate in print. Paula M. Krebs' analysis of the part played by ideas about gender and race in public discourse makes a significant new contribution to the study of British imperialism.

Charlotte Bront 's fiction is examined in the context of Victorian constructions of psychology, sexuality, and insanity.

This collection of essays focuses attention on a number of Victorian women writers popular in their own time but forgotten or neglected by literary history, from Margaret Oliphant and Charlotte Yonge to Mary Ward, Marie Corelli, "Ouida" and E. Nesbit. Particular emphasis is given to writings concerned with "the woman question." Discussions of marriage, matriarchy and divorce, satire, suffragette writing, writing for children, and links between literature and art illuminate the complex cultural and literary roles, and the engaging contributions, of Victorian women writers.

Thurschwell examines the intersection of literary culture, the occult and new technology at the fin-de-siecle. She argues that as new technologies, such as the telegraph and the telephone, began suffusing the public imagination from the mid-nineteenth century on, they seemed to support the claims of spiritualist mediums. Making unexpected connections between, for instance, speaking on the telephone and speaking to the dead, she examines how psychical research is reflected in the work of Henry James, George DuMaurier and Oscar Wilde among others.

In this innovative study Nancy Henry introduces new facts that place George Eliot's life and work within the contexts of mid-nineteenth-century British colonialism and imperialism. She examines Eliot's roles as an investor in colonial stocks, a parent to emigrant sons, and a reader of colonial literature. She highlights the importance of these contexts to our understanding of Eliot's fiction and her position within Victorian culture. The book also reexamines the assumptions of postcolonial criticism about Victorian fiction and its relation to empire.

This collection brings together essays by scholars from literature, history of art and history of science which explore the diversity of Victorian fascination with the supernatural: ghosts and fairies, table-rappings and telepathic encounters, occult religions and the idea of reincarnation, visions of the other world and a reality beyond the everyday. These essays demonstrate that the supernatural was not simply a reaction to the "post-Darwinian loss of faith," but was embedded in virtually every aspect of Victorian culture.

Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Broadly interdisciplinary, the book's methodology relates to studies in poetics, religious studies, feminist literary criticism, and little-known Anglo-Jewish primary sources.

Anna Silver examines the ways nineteenth-century British writers used physical states of the female body--hunger, appetite, fat and slenderness--in the creation of female characters. She argues that anorexia nervosa, first diagnosed in 1873, serves as a paradigm for the cultural ideal of middle-class womanhood in Victorian Britain. Silver uses the works of a wide range of writers (including Charlotte Bronte, Christina Rossetti, Charles Dickens, Bram Stoker and Lewis Carroll) to demonstrate that mainstream models of middle-class Victorian womanhood share important qualities with the beliefs or...

Matt Cook explores the relationship between London and homosexuality from 1885 to 1914, years marked by intensification in concern about male-male relationships and also by the emergence of an embryonic homosexual rights movement. Cook combines his coverage of London's homosexual subculture and various major and minor scandals with a detailed examination of representations in the press, science and literature. This conjunction of approaches distinguishes this study from other works and provides new insight into the development of ideas about homosexuality during the period.