This is the eighth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of five plays and one composite Fours Plays in One, written by Fletcher and his collaborators, Nathan Field and Philip Massinger. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.

This is the first volume in a ten-volume series of the complete dramatic works of Beaumont and Fletcher, published under the general editorship of Fredson Bowers. Each volume contains several plays accompanied by a textual introduction and critical apparatus. The plays of Beaumont alone are published first, followed by those by Beaumont and Fletcher together, Beaumont and Fletcher revised by Massinger, Fletcher alone and finally Fletcher with his numerous collaborators.

This is the tenth and final volume in the definitive series of critical, old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographicals. This volume contains the texts of six plays written by Fletcher and his collaborators, Nathan Field, Philip Massinger, Ben Jonson, George Chapman, John Ford and John Webster. The plays are The Honest Man's Fortune, Rollo, The Spanish Curate, The Lovers' Progress, The Fair Maid of the Inn and The Laws of Candy.

"A King and No King helped establish tragicomedy as the seventeenth century's favored dramatic genre, and Beaumont and Fletcher as leading playwrights of the day. Accompanying this fully annotated edition, an introduction explores the play's sources, both literary and dramatic, and offers a thorough reconsideration of its relation to its social and political context, and contemporary issues of royal absolutism, good governance, and the political role of the aristocracy. In addition, the introduction provides the fullest available account of the play's stage history, tracing the shifts in...

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

John Fletcher was an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration Period. Fletcher and Beaurmont wrote and lived together for over ten years. They were said to share the same clothes and the same wench. A King and No King is a tragic comedy. Arbaces, King of Iberia, has been abroad, fighting in the wars. He returns in triumph. The queen mother hates him and plots his death. Arbaces struggles with his incestuous passion toward his beautiful sister. The comic relief in the play is provided by the cowardly Bessus and his...

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"A King and No King" from Francis Beaumont. Dramatist in the English Renaissance theatre (1584-1616).