This classic in the literature of cinema represents the convergence of the three leading figures of French film: Jean Renoir, universally considered the greatest French director; Andre Bazin, the outstanding French film critic and theorist; and Francois Truffaut, the pioneer of la nouvelle vague. Bazin left this examination of Renoir's films unfinished when he died in 1958; Truffaut collected and edited the essays, and added a comprehensive filmography in which Bazin, Truffaut, Jacques Rivette, Jean-Luc Godard, Eric Rohmer, and other Cahiers du Cinema regulars comment on the...

Hier liegt auf deutsch die vollstndige und neu bersetzte Fassung des franzsischen Klassikers vor, der franzsischen edition definitive, die die vierbndige Ausgabe mit Schriften aus den Jahren 1958-1962 ersetzte. Bei der Auswahl dieses Bandes berieten Bazins Witwe und Francois Truffaut, das Vorwort stammt von Andre Bazin selbst.

Andre Bazin's writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the "new media" of the 1950s, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies--their artistic potential, social influence, and relationship to existing art forms--have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin's astute approach to a range of...