Surveys the development of modernism from the early eighteenth to the mid-nineteenth centuries, which saw a radical transformation in theories of painting and sculpture and laid the intellectual foundations for our modern views on the arts.
Surveys the development of modernism from the early eighteenth to the mid-nineteenth centuries, which saw a radical transformation in theories of pain...
This volume brings this history well into the 20th century. Barasch details the radical social changes in the creation, presentation, and reception of art and explores the new ways in which critics as well as artists conceptualized paintings and sculptures, making for arguably the most exciting and fertile period in the history of art criticism.
This volume brings this history well into the 20th century. Barasch details the radical social changes in the creation, presentation, and reception of...
A study of how Western culture has imagined what it is like to be blind, especially as it is represented in that most visual of arts, painting. Art historian Moshe Barasch here draws upon not only the span of art history from antiquity to the 18th century but also the classical and biblical traditions that underpin so much of artistic representation: Blind Homer, the healing of the blind, blind musicians, blindness as a punishment, blindness as a special mark.
A study of how Western culture has imagined what it is like to be blind, especially as it is represented in that most visual of arts, painting. Art hi...
A study of how Western culture has imagined what it is like to be blind, especially as it is represented in that most visual of arts, painting. Art historian Moshe Barasch here draws upon not only the span of art history from antiquity to the 18th century but also the classical and biblical traditions that underpin so much of artistic representation: Blind Homer, the healing of the blind, blind musicians, blindness as a punishment, blindness as a special mark.
A study of how Western culture has imagined what it is like to be blind, especially as it is represented in that most visual of arts, painting. Art hi...
This is an analytical survey of the thought about painting and sculpture as it unfolded from the early eighteenth to the mid-nineteenth centuries. This was the period during which theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of which the intellectual foundations of our modern views on the arts were formed. Because this transformation can only be understood when seen in a broad context of cultural, aesthetic, and philosophical developments of the period, Moshe Barasch surveys the opinions of the artists, and also treats in...
This is an analytical survey of the thought about painting and sculpture as it unfolded from the early eighteenth to the mid-nineteenth centuries. Thi...
Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. Out of this debate, an identifiable doctrine has emerged of the image in general and of the divine image in particular. This fascinating work concentrates on these historical arguments, from the period of Late Antiquity up to the great and classic defenses of images by St. John of Damascus and Theodore of Studion. Icon extends beyond the immediate concerns of religion, philosophy, aesthetics, history, and art, to...
Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shake...
Moshe Barasch, an authority on art theory, tackles the complex question of how art works as language. Barasch shows how, once an art work is seen and understood, a new, communicative function is effectively added to the work. In an engaging style Barasch moves from the art and civilization of Ancient Egypt to that of modern Europe, and effortlessly shows a full and surprising range of language in art--from the magical to the impious, from the ambiguous to the didactic, from the scientific to the propagandistic. Barasch contemplates a variety of mediums including sculpture, painting, mural,...
Moshe Barasch, an authority on art theory, tackles the complex question of how art works as language. Barasch shows how, once an art work is seen a...
Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. Out of this debate, an identifiable doctrine has emerged of the image in general and of the divine image in particular. This fascinating work concentrates on these historical arguments, from the period of Late Antiquity up to the great and classic defenses of images by St. John of Damascus and Theodore of Studion. Icon extends beyond the immediate concerns of religion, philosophy, aesthetics, history, and art, to...
Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shake...
This is an analytical survey of the thought about painting and sculpture as it unfolded from the early eighteenth to the mid-nineteenth centuries. This was the period during which theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of which the intellectual foundations of our modern views on the arts were formed. Because this transformation can only be understood when seen in a broad context of cultural, aesthetic, and philosophical developments of the period, Moshe Barasch surveys the opinions of the artists, and also treats in...
This is an analytical survey of the thought about painting and sculpture as it unfolded from the early eighteenth to the mid-nineteenth centuries. Thi...
