"Classrooms and curricula should be structured to foster the playful interaction that can teach students how to negotiate social and political differences in an emancipatory, noncoercive manner. . . . Teaching reading as a playful exercise of reciprocity with otherness can help prepare students for a democracy understood as a community of communities." from the "Pedagogical Postscript"Reading is socially useful, in Paul B. Armstrong's view, and can model democratic interaction by a community unconstrained by the need to build consensus but aware of the dangers of violence, irrationality, and...
"Classrooms and curricula should be structured to foster the playful interaction that can teach students how to negotiate social and political differe...
Armstrong suggests that James's perspective is essentially phenomenological--that his understanding of the process of knowing, the art of fiction, and experience as a whole coincides in important ways with the ideas of the leading phenomenologists. He examines the connections between phenomenology's theory of consciousness and existentialism's analyses of the lived world in relation to James's fascination with consciousness and what is commonly called his Originally published in 1983.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital...
Armstrong suggests that James's perspective is essentially phenomenological--that his understanding of the process of knowing, the art of fiction, and...
Armstrong argues that conflicting readings occur because readers with opposing suppositions about language, literature, and life can generate irreconcilable hypotheses about a text. Without endorsing a particular critical methodology, the author offers a theory designed to help readers better understand the causes and consequences of interpretive disagreement so that they may make more informed choices about the various interpretive strategies available to them.
Originally published in 1990.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in...
Armstrong argues that conflicting readings occur because readers with opposing suppositions about language, literature, and life can generate irreconc...
-Literature matters, - says Paul B. Armstrong, -for what it reveals about human experience, and the very different perspective of neuroscience on how the brain works is part of that story.- In How Literature Plays with the Brain, Armstrong examines the parallels between certain features of literary experience and functions of the brain. His central argument is that literature plays with the brain through experiences of harmony and dissonance which set in motion oppositions that are fundamental to the neurobiology of mental functioning. These oppositions negotiate basic tensions in...
-Literature matters, - says Paul B. Armstrong, -for what it reveals about human experience, and the very different perspective of neuroscience on h...
- A newly edited text based on the first English book edition (1902), the last version to which Conrad is known to have actively contributed. "Textual History and Editing Principles" provides an overview of the textual controversies and ambiguities perpetually surroundingHeart of Darkness. - Background and source materials on colonialism and the Congo, nineteenth-century attitudes toward race, Conrad in the Congo, and Conrad on art and literature - Fifteen illustrations - Seven contemporary responses to the novella along with eighteen essays in criticism--ten of them new to the Fifth...
- A newly edited text based on the first English book edition (1902), the last version to which Conrad is known to have actively contributed. "Textual...
