How can we account for the power of ritual? This is the guiding question of Black Critics and Kings, which examines how Yoruba forms of ritual and knowledge shape politics, history, and resistance against the state. Focusing on "deep" knowledge in Yoruba cosmology as an interpretive space for configuring difference, Andrew Apter analyzes ritual empowerment as an essentially critical practice, one that revises authoritative discourses of space, time, gender, and sovereignty to promote political---and even violent---change. Documenting the development of a Yoruba kingdom from its...
How can we account for the power of ritual? This is the guiding question of Black Critics and Kings, which examines how Yoruba forms of ritual ...
Even within anthropology, a discipline that strives to overcome misrepresentations of peoples and cultures, colonialist depictions of the so-called Dark Continent run deep. The grand narratives, tribal tropes, distorted images, and "natural" histories that forged the foundations of discourse about Africa remain firmly entrenched. In Beyond Words, Andrew Apter explores how anthropology can come to terms with the "colonial library" and begin to develop an ethnographic practice that transcends the politics of Africa's imperial past. The way out of the colonial library, Apter...
Even within anthropology, a discipline that strives to overcome misrepresentations of peoples and cultures, colonialist depictions of the so-called...
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and...
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhoo...
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and...
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhoo...
Yoruba culture has been a part of the Americas for centuries, brought from Africa during the transatlantic slave trade and maintained in various forms ever since. In Oduduwa's Chain, Andrew Apter explores a wide range of fascinating historical and ethnographic examples and offers a provocative rethinking of African heritage in Black Atlantic Studies. Focusing on Yoruba history and culture in Nigeria, Apter applies a generative model of cultural revision that allows him to identify formative Yoruba influences without resorting to the idea that culture and tradition are fixed. For...
Yoruba culture has been a part of the Americas for centuries, brought from Africa during the transatlantic slave trade and maintained in various forms...
Yoruba culture has been a part of the Americas for centuries, brought from Africa during the transatlantic slave trade and maintained in various forms ever since. In Oduduwa's Chain, Andrew Apter explores a wide range of fascinating historical and ethnographic examples and offers a provocative rethinking of African heritage in Black Atlantic Studies. Focusing on Yoruba history and culture in Nigeria, Apter applies a generative model of cultural revision that allows him to identify formative Yoruba influences without resorting to the idea that culture and tradition are fixed. For...
Yoruba culture has been a part of the Americas for centuries, brought from Africa during the transatlantic slave trade and maintained in various forms...
