In this remarkable work, Reiner Schurmann shows Meister Eckhart, the thirteenth-century Christian mystic, as the great teacher of the birth of God in the soul, which shatters the dualism between God and the world, the self and God. This is an exposition of Eckhar's mysticism--perhaps the best in English--and, because Eckhart is a profound philosopher for whom knowing precedes being, it is also an exemplary work of contemporary philosophy. Schurmann shows us that Eckhart is our contemporary. He describes the threefold movement of detachment, release, and "dehiscence" (splitting open), which...
In this remarkable work, Reiner Schurmann shows Meister Eckhart, the thirteenth-century Christian mystic, as the great teacher of the birth of God in ...
In Jacques Derrida's Ghost, David Appelbaum explores three of Derrida's favorite themes: the other, death, and the work of mourning. He shows how Derrida's unique philosophy, mindful of ghosts, proposes a respectful attitude toward otherness--whether the "other" be corporeal or indeed phantom. Taking up Derrida's concern with performative ethics, Appelbaum examines the possibility of such an ethics of subjectivity within the context of performance.
In Jacques Derrida's Ghost, David Appelbaum explores three of Derrida's favorite themes: the other, death, and the work of mourning. He shows how Derr...
In His Voice considers the idea of the neuter in Maurice Blanchot's work, and seeks to work out through an exercise of literary impersonation, or ventriloquism, how and why Blanchot relied on this form. Neither active nor passive, the neuter expresses a kind of third voice beyond the command of the author, one that speaks paradoxically of what lies outside of speaking but nonetheless exerts an irrepressible influence on thought. The neuter is exilic, messianic, and fragmentary. Since it cannot be directly accounted for, Blanchot uses a number of indirect approaches--notably, myth--to...
In His Voice considers the idea of the neuter in Maurice Blanchot's work, and seeks to work out through an exercise of literary impersonation, ...
In His Voice considers the idea of the neuter in Maurice Blanchot's work, and seeks to work out through an exercise of literary impersonation, or ventriloquism, how and why Blanchot relied on this form. Neither active nor passive, the neuter expresses a kind of third voice beyond the command of the author, one that speaks paradoxically of what lies outside of speaking but nonetheless exerts an irrepressible influence on thought. The neuter is exilic, messianic, and fragmentary. Since it cannot be directly accounted for, Blanchot uses a number of indirect approaches--notably, myth--to...
In His Voice considers the idea of the neuter in Maurice Blanchot's work, and seeks to work out through an exercise of literary impersonation, ...
