"One should either be a work of art, or wear one," proclaimed Oscar Wilde at the end of the nineteenth century; "I am made of literature, I am nothing else, and cannot be anything else," Franz Kafka declared a decade later. Between these two claims lies the largely unexplored region in which the European decadent movement turned into the modernist avant-garde. In this original historical study, Anderson explores Kafka's early dandyism, his interest in fashion, literary decadence and the "superficial" spectacle of modern urban life as well as his subsequent repudiation of these phenomena in...

Thomas Bernhard was one of the most original writers of the twentieth century. His formal innovation ranks with Beckett and Kafka, his outrageously cantankerous voice recalls Dostoevsky, but his gift for lacerating, lyrical, provocative prose is incomparably his own.One of Bernhard's most acclaimed novels, The Loser centers on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other-- the obsessive, witty, and...

This Norton Critical Edition includes:

- Susan Bernofsky's acclaimed new translation, along with her Translator's Note. - Introductory materials and explanatory footnotes by Mark M. Anderson - Three illustrations - Related texts by Kafka, Leopold von Sacher-Masoch, Friedrich Nietzsche, and Rainer Maria Rilke, among others - Eight critical essays by Gunther Anders, Walter H. Sokel, Nina Pelikan Straus, Mark M. Anderson, Elizabeth Boa, Carolin Duttlinger, Kari Driscoll, and Dan Miron - A Chronology and a Selected Bibliography