In this moving and funny memoir, award-winning playwright Guillermo Reyes untangles his life as the secretly illegitimate son of a Chilean immigrant to the United States and as a young man struggling with sexual repression, body image, and gay identity. But this is a double-decker memoir that also tells the poignant, bittersweet, and adventurous story of Guillermo's mother, Maria, who supports herself and her son cleaning houses and then working as a nanny in Washington, D.C. and eventually in Hollywood.
In one memorable scene, after realizing that her friend Carmen is cleaning the house...

This is a rarity in contemporary writing, a truly bilingual enterprise, as in Susana Chavez-Silverman's previous memoir, Killer Cronicas. Chavez-Silverman switches between English and Spanish, creating alinguistic mestizaje that is still a surprise encounter in the world of letters today, and the author forms one of a small but growing band of writers to embrace bilingualism as a literary force. Also like Killer Cronicas, each chapter in Scenes from la Cuenca de Los Angeles is a "cronica," a vignette that began as intimate diary entries and e-mails and...

A woman living and communicating in multiple lands, Susana Chavez-Silverman conveys her cultural and linguistic displacement in humorous, bittersweet, and even tangible ways in this truly bilingual literary work. These meditative and lyrical pieces combine poignant personal confession, detailed daily observation, and a memorializing drive that shifts across time and among geocultural spaces. The author's inventive and flamboyant use of Spanglish, a hybrid English-Spanish idiom, and her adaptation of the confessional "cronica" make this memoir compelling and powerful. Killer Cronicas...