This is a comprehensive collection of material on sculptured statue bases which should be of interest to archaeologists, historians of art and of religion, and scholars of ancient culture (including athletics and gender studies).

In the Heroides, the Roman poet Ovid wittily plucks fifteen abandoned heroines from ancient myth and literature and creates the fiction that each woman writes a letter to the hero who left her behind. But in giving voice to these heroines, is Ovid writing like a woman, or writing "Woman" like a man?
Using feminist and psychoanalytic approaches to examine the "female voice" in the Heroides, Sara H. Lindheim closely reads these fictive letters in which the women seemingly tell their own stories. She points out that in Ovid s verse epistles all the women represent themselves in...

Taking a fresh look at the poetry and visual art of the Hellenistic age, from the death of Alexander the Great in 323 BC to 20 BC, Graham Zanker makes enlightening discoveries about the assumptions and conventions of Hellenistic poets and artists and their audiences. Zanker offers exciting new interpretations by closely comparing poetry and art for the light each sheds on the other.

Horace's later lyric poetry, "Odes "IV, which focuses on praising Augustus, the imperial family, and other political insiders, has often been treated more as propaganda than art. But in "A Symposion of Praise, " Timothy Johnson examines the richly textured ambiguities of "Odes "IV.

This lively translation of "Devins, Dieux et Demons is the first English-language edition of Jean-Rene Jannot's highly informative examination of Etruscan religion. Jannot tackles this elusive subject within three major constructs--death, ritual, and the nature of the gods--and presents recent discoveries in an accessible format. Jane K. Whitehead's translation updates Jannot's innovative text and introduces readers of all types--students, scholars, and the general audience--to this thorough overview of ancient Etruscan beliefs, including the afterlife, funerary customs, and mythology.
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In his first book of Satires, written in the late, violent days of the Roman republic, Horace exposes satiric speech as a tool of power and domination. Using critical theories from classics, speech act theory, and others, Catherine Schlegel argues that Horace's acute poetic observation of hostile speech provides insights into the operations of verbal control that are relevant to his time and to ours. She demonstrates that though Horace is forced by his political circumstances to develop a new, unthreatening style of satire, his poems contain a challenge to our most profound habits of...

"Prostitutes and Courtesans in the Ancient World" explores the implications of sex-for-pay across a broad span of time, from ancient Mesopotamia to the early Christian period. In ancient times, although they were socially marginal, prostitutes connected with almost every aspect of daily life. They sat in brothels and walked the streets; they paid taxes and set up dedications in religious sanctuaries; they appeared as characters sometimes admirable, sometimes despicable on the comic stage and in the law courts; they lived lavishly, consorting with famous poets and politicians; and they...

"Prostitutes and Courtesans in the Ancient World explores the implications of sex-for-pay across a broad span of time, from ancient Mesopotamia to the early Christian period. In ancient times, although they were socially marginal, prostitutes connected with almost every aspect of daily life. They sat in brothels and walked the streets; they paid taxes and set up dedications in religious sanctuaries; they appeared as characters--sometimes admirable, sometimes despicable--on the comic stage and in the law courts; they lived lavishly, consorting with famous poets and politicians; and they...

Asses, asses, and more asses This new edition of Plautus' rumbustious comedy provides the complete original Latin text, witty scholarly commentary, and an English translation that both complements and explicates Plautus' original style. John Henderson reveals this play as a key to Roman social relations centered on many kinds of slavery: to sex, money, and family structure; to masculinity and social standing; to senility and partying; and to jokes, lies, and idiocy. The translation remains faithful to Plautus' syllabic style for reading aloud, as well as to his humorous colloquialisms and...