This book explores a rich cultural hybridity at the heart of transatlantic modernism. Focusing on cubism, jazz, and Josephine Baker's performance in the Danse Sauvage, Sieglinde Lemke uncovers a crucial history of white and black intercultural exchange, a phenomenon until now greatly obscured by a cloak of whiteness. Considering artists and critics such as Picasso, Alain Locke, Nancy Cunard, and Paul Whiteman, in addition to Baker, Lemke documents a potent cultural dialectic in which black artistic expression fertilized white modernism, just as white art forms helped shape the black...

This book traces a provocative line from Emerson's work on race, reform, and identity to work by three influential African- American thinkers--W. E. B. Du Bois, Martin Luther King Jr., and Cornel West--each of whom offers subtle engagement with both the tradition of written protest and the critique of liberalism Emerson shaped. Emerson has been cast in recent debate as either an antinomian or an ideologue--as either subversive of institutional controls or indebted to capitalism. Here, Patterson contributes a more nuanced view, probing Emerson's record and its cultural and historical matrix to...