Examining the relationship between theatre and photography, this book shows how the two intertwine and provide vantage points for understanding each other. Joel Anderson explores the theory and practice of photographing theatre and performance, as well as theatre and photography's mutual preoccupation with posing, staging, framing, and stillness.

This stimulating introduction to laughter in theatre and performance examines laughter among actors, among audience, and the interaction between the two. Exploring the many uses and effects of laughter in theatre, Eric Weitz considers laughter as a tool of political resonance, as social commentary, and as one of the oldest rhetorical devices.

What do we mean by entertainment? How does this concept relate to theatre? Should theatre be for pleasure or instruction? Can it not be both?

In this stimulating book, Jim Davis examines the relationship between theatre and entertainment by assessing audience reception, political theatre and melodrama. He explores definitions of entertainment, arguing that it can be found embedded in all forms of theatre, not just the 'popular'. Davis concludes with a review of contemporary perspectives on the topic and questions the limits of entertainment in theatrical performance.

How do disabled people experience theatre, as both audience members and performers? How has the institution of theatre responded to disability over time? How can we create new spaces for performance and attend to different communities' forms of expression?

This insightful and engaging text examines the complex relationship between theatre and disability, bringing together a wide variety of performance examples in order to explore theatrical disability through the conceptual frameworks of disability as spectacle, narrative, and experience.

The line between political activism and performance art is frequently unclear. Exploring the cross-fertilization of international theatre and protest across the twentieth and twenty-first centuries, Lara Shalson illuminates how and why theatre and protest are mutually influencing and enriching forms.

How can we rethink the importance of voice in performance? How can we understand voice simultaneously as music and text, as sound and body, or as both personal and political?This book explores voice across genres, media and cultures, inviting the reader to reassess established ways of analysing, enjoying and listening to voice.

Exploring the intersections and divisions between theatre and dance, this concise and engaging text makes a compelling case for the significance of resisting genre distinctions in the arts, by demonstrating how analysing the relationship between the two disciplines expands our understanding of and ability to make performance.

This succinct and engaging text explores the ways in which cultural performances of resistance that have their basis in festivals can migrate to other contexts.

This critical new title in the Theatre & series explores the fluctuating relationship between theatre and Christianity by focusing on key points of intersection - the challenge of realism and the real, the treatment of women and the role of amateur performance.