Theatre & Feminism tells the story of the movement known as feminist performance theory. It explores key debates from its 40-year history, engages with the work of groundbreaking thinkers including Elin Diamond, Jill Dolan, Peggy Phelan and Elaine Aston, and includes case studies of recent performances by established and emerging feminist artists.

Theatre & Law offers the first comprehensive account of the complex relations between legal process and performances. Through ten major principles of performance within law, it establishes how law itself is a performative mode of practice and reflects upon the co-dependence of law, performance and politics in celebrated works of theatre.

How has theatre represented the rural? And how does a re-viewing of theatre of and in the rural help to build and complicate our sense of place?

Theatre & the Rural explores the different ways in which theatre has performed the rural from the medieval to the contemporary, and examines the changing relationships between place, performance and audience when theatre is staged in rural communities. The book argues that theatre has a key role to play in both producing and potentially changing understandings of the rural, challenging dominant views of the relationships between city and...

The historical age of empires may be over, but empire, as an idea, continues to exercise a hold over our imaginations. This compelling examination of the relationship between theatre and empire begins with potential definitions and theories of empire, suggesting how we might think of these two notions together and how we might see empire itself as theatre. A variety of case studies are then used to explore theatre in light of both cultural and economic imperialism.