The ten papers in this volume were all presented at the first International Conference "The European Emblem," held in Glasgow in August, 1987 under the auspices of the Society for Emblem Studies. The conference included papers discussing most of the major European languages in which emblem books flourished, and the papers selected for the presented volume represent something of the variety and scope of current scholarship in this field. Subjects dealt with include a protoemblematic Latin translation of the Tabula Cebetis, the Emblematum Liber by Andreas Alciat, the earliest...

The volume is a cross-section of contributions to the Glasgow International Emblem Conference 1990, and demonstrates the range of research currently under way into the emblem tradition in the Renaissance and Baroque periods and the variety of its development across the centuries in many European countries.
The seventeen papers are arranged here in broad national and thematic groupings, showing the emblem tradition in France, Italy, the Low Countries, Germany, Britain, within the field of alchemy, and extending into wider European traditions. The volume is generously illustrated, and an...

These nineteen papers focus on the 1480-1610 period in England, France and Spain, offering a range of views on the use of images to spectacular ends in institutional form or in artifacts.
After a recall of what neurophysiology says about brain treatment of images and what dominant codings of image may have been in Renaissance commonalty culture, four studies examine the way propagandistic imagery operates and its various effects, from benign submission to fierce opposition. Most studies, however, review accepted or moot points regarding interpretation of plays or staging. Interestingly,...

Symbolic Scores is the first monograph on Renaissance music devoted to discussing more than 150 compositions which involve symbolism inspired by ideas and themes inherent in the musical culture of the time. The introduction describes the historical and theoretical premises of the use of the terms 'allegory', 'sign', and 'symbol', and goes into the aspect of number symbolism as well as the aims, limits, and principles of musico-symbolical analysis. Other studies concentrate on Dufay and Josquin, deal with the symbolical application of soggetto ostinato and canon technique, or...

This volume is the offspring of many years of research in symbolic representations carried out at the English and Comparative Literature departments of "Jozsef Attila" University, Szeged. In 1990 the dramatic changes in East-Central Europe inspired the organization of an international conference where scholars of the (politically defined) East and West could exchange ideas in the fields of iconography, emblem studies and cultural symbolisation. In June, 1993, at the conference in Szeged, fifty-seven papers were read by scholars representing Canada, the Czech Republic, England, Germany,...

This volume deals with the interrelation between English and Dutch culture as it emerged in the field of the emblem and the emblem book in the 16th and 17th centuries. The traffic of emblems was mostly from the Low Countries to England. The very first printed English emblem book, by Geffrey Whitney, was printed in Leiden in 1586. One of the last English emblem books to be published in the 17th century, by Philip Ayres (1683) goes straight back to the Dutch love emblem tradition (Heinsius, Vaenius, et al.).
The reasons for this mainly one-way traffic are manifold. For one thing the best...