Nathan Shockey examines the emergence of new forms of reading, writing, and thinking in Japan from the last years of the nineteenth century through the first decades of the twentieth. The Typographic Imagination presents a multivalent vision of the rise of mass print media and the transformation of modern Japanese literature, language, and culture.

By examining the manufacturing, commercial, and cultural activities of the maverick industrialist Chen Diexian (1879-1940), Eugenia Lean illustrates how lettered men of early-twentieth-century China engaged in "vernacular industrialism," the pursuit of industry and science outside of conventional venues.