What happens to the writing of dance history when issues of sexuality and sexual identity are made central? What happens to queer theory, and to other theoretical constructs of gender and sexuality, when a dancing body takes center stage? "Dancing Desires" asks these questions, exploring the relationship between dancing bodies and sexual identity on the concert stage, in nightclubs, in film, in the courts, and on the streets. From Nijinsky s balletic prowess to Charlie Chaplin's lightfooted "Little Tramp," from lesbian go-go dancers to the swans of Swan Lake, from the postmodern works of...
What happens to the writing of dance history when issues of sexuality and sexual identity are made central? What happens to queer theory, and to ot...
What happens to the writing of dance history when issues of sexuality and sexual identity are made central? What happens to queer theory, and to other theoretical constructs of gender and sexuality, when a dancing body takes center stage? Dancing Desires asks these questions, exploring the relationship between dancing bodies and sexual identity on the concert stage, in nightclubs, in film, in the courts, and on the streets. From Nijinsky s balletic prowess to Charlie Chaplin's lightfooted "Little Tramp," from lesbian go-go dancers to the swans of Swan Lake, from the postmodern works...
What happens to the writing of dance history when issues of sexuality and sexual identity are made central? What happens to queer theory, and to ot...
Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory and practice. In so doing, it reevalautes black and African American as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville and social dances to professional dance companies and Hollywood movie dancing.
Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores th...
These vividly written letters document the lives of two remarkable women artists who were at the center of twentieth-century dance modernism. Mary Wigman s groundbreaking choreography and inspired performing in Germany during the 1910s and 1920s brought the emerging art of modern dance into dialogue with modern painting, theater, and film. Her disciple Hanya Holm took Wigman s aesthetic philosophy to the United States in 1931, effectively adapting it to the American temperament, and ultimately became a celebrated choreographer of Broadway musicals such as Kiss Me, Kate and My Fair...
These vividly written letters document the lives of two remarkable women artists who were at the center of twentieth-century dance modernism. Mary Wig...
"Kaiso," a term of praise that is the calypso equivalent of "bravo," is a fitting title for this definitive and celebratory collection of writings by and about Katherine Dunham, the legendary African American dancer, choreographer, anthropologist, and social activist. Originally produced in the 1970s, this is a newly revised and much expanded edition that includes recent scholarly articles, Dunham's essays on dance and anthropology, press reviews, interviews, and chapters from Dunham's unpublished volume of memoirs, "Minefields." With nearly a hundred selections by dozens of authors, "Kaiso!"...
"Kaiso," a term of praise that is the calypso equivalent of "bravo," is a fitting title for this definitive and celebratory collection of writings by ...
This groundbreaking collection combines ethnographic and historic strategies to reveal how dance plays crucial cultural roles in various regions of the world, including Tonga, Java, Bosnia-Herzegovina, New Mexico, India, Korea, Macedonia, and England. The essays find a balance between past and present and examine how dance and bodily practices are core identity and cultural creators. Reaching beyond the typically Eurocentric view of dance, "Dancing from Past to Present" opens a world of debate over the role dance plays in forming and expressing cultural identities around the world.
This groundbreaking collection combines ethnographic and historic strategies to reveal how dance plays crucial cultural roles in various regions of th...
This groundbreaking collection combines ethnographic and historic strategies to reveal how dance plays crucial cultural roles in various regions of the world, including Tonga, Java, Bosnia-Herzegovina, New Mexico, India, Korea, Macedonia, and England. The essays find a balance between past and present and examine how dance and bodily practices are core identity and cultural creators. Reaching beyond the typically Eurocentric view of dance, "Dancing from Past to Present" opens a world of debate over the role dance plays in forming and expressing cultural identities around the world.
This groundbreaking collection combines ethnographic and historic strategies to reveal how dance plays crucial cultural roles in various regions of th...
Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine internationally renowned scholars in this volume shed new and surprising light on women's roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800. Through dance, women asserted power in spheres largely dominated by men: the court, the theater, and the church. As women's dance worlds intersected with men's, their lives and visions were supported or...
Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine in...
Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine internationally renowned scholars in this volume shed new and surprising light on women’ s roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800. Through dance, women asserted power in spheres largely dominated by men: the court, the theater, and the church. As women’ s dance worlds intersected with men’ s, their...
Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine in...
Around the globe, dances that originate in village, temple, and court rituals have been adapted and transformed to carry secular meanings and serve new national purposes. In stage performances, dance competitions, and festivals worldwide, dance has become an emblem of ethnicity and an index of national identity. But what are the backstage stories of those dances chosen to bear such meanings, and what have been the consequences for their communities of origin? In Dance and the Nation, Susan A. Reed brings to light the complexities of aesthetic politics in a multi-faceted exploration and...
Around the globe, dances that originate in village, temple, and court rituals have been adapted and transformed to carry secular meanings and serve ne...
