An examination of `extreme’ literary rewritings of the bible, which traces how the bible has been adapted and rewritten in literature across time. The focus of the study is upon how literature can use and apply biblical motifs and styles without specifically re-telling a recognisable biblcal story, and yet at the same time, remain heavily influenced by the Bible. Swindell begins with an overview of the current state of play in the study of the literary rewriting of the Bible considering examples from medieval times through to the work of Margaret Atwood. Swindell discusses and identifies...