At the beginning of the 20th century, Judas was characterised in film as the epitome of evil: the villainous Jew. Film-makers cast Judas in this way because this was the Judas that audiences had come to recognize and even expect. But in the following three decades, film-makers - as a result of critical biblical study - were more circumspect about accepting the alleged historicity of the Gospel accounts. Carol A. Hebron examines the figure of Judas across film history to show how the portrayal becomes more nuanced and more significant, even to the point where Judas becomes the protagonist...

Harnessing Chaos: The Bible in English Political Discourse Since 1968 (2014) looked at the shifts in political understandings of the Bible in the aftermath of the social and economic changes of the 1960s. The book examined the decline of the Radical bible (i.e. the Bible roughly equated with socialism) in parliamentary politics and the victory of (a modified form of) Thatcher's re-reading of the Liberal Bible tradition, which equated the Bible with rule of law, democracy and tolerance. This showed how Thatcher's Bible was developed by politicians and the significance of Tony Blair's...