Hollywood Remakes of Iconic British Films: Class, Gender and Stardom investigates film remaking from the unique perspective of cross-cultural exchange between two countries who share a common language and history in film cooperation. Each chapter discusses classic British films connected by the same star, genre and theme to trace the change from 1960s optimism to the despondency of the 1970s. Rasmus scrutinizes millennial remakes to show how they transform the representation of class, gender and stardom to comply with industrial trends and appeal to a twenty-first century global audience....
Hollywood Remakes of Iconic British Films: Class, Gender and Stardom investigates film remaking from the unique perspective of cross-cultural exchange...
'Daniel Herbert and Constantine Verevis' Film Reboots is dedicated to a fundamental question of the form, namely why do reboots exist and what do they do? An impressive array of scholars engage with the contemporary reboot as an industrial practice, narrative strategy, political text, and fan object, using both expected (Batman, Star Wars) and unexpected (Teenage Mutant Ninja Turtles, Twin Peaks) franchises as case studies. This collection is an important addition to and intervention in the growing body of scholarship on screen serialities.'Amanda Ann Klein, East Carolina...
'Daniel Herbert and Constantine Verevis' Film Reboots is dedicated to a fundamental question of the form, namely why do reboots exist and what do they...