Ontology and the Art of Tragedy is a sustained reflection on the principles and criteria from which to guide one's approach to Aristotle's Poetics. Its scope is twofold: historical and systematic. In its historical aspect it develops an approach to Aristotle's Poetics, which brings his distinctive philosophy of being to bear on the reception of this text. In its systematic aspect it relates Aristotle's theory of art to the perennial desiderata of any theory of art, and particularly to Kandinsky's.

Promoting a new, broadly interdisciplinary horizon for future studies in early Greek philosophy, Dirk L. Couprie, Robert Hahn, and Gerard Naddaf establish the cultural context in which Anaximander's thought developed and in which the origins of Greek philosophy unfolded in its earliest stages. In order to better understand Anaximander's achievement, the authors call our attention to the historical, social, political, technological, cosmological, astronomical, and observational contexts of his thought. Anaximander in Context brings to the forefront of modern debates the importance of cultural...

Aristotle belongs to the small class of philosophers who were not only influential in a particular field of philosophy but also shaped the profile of every philosophical discipline. In this book Otfried Hoffe provides a comprehensive introduction to the life and work of Aristotle, covering well-known Aristotelian topics such as ethics, politics, and metaphysics as well as the less familiar, such as biology, psychology, and rhetoric. Hoffe also compares Aristotle to other major figures in the history of European (especially German) philosophy, making connections to Kant and Hegel that are...

Promoting a new way to study and illuminate early Greek philosophy, Archaeology and the Origins of Philosophy explores archaeological resources and art historical evidence to contribute to the ongoing debates concerning the origins of philosophy. Focusing on the philosopher Anaximander, Robert Hahn addresses the history of scholarship surrounding ancient philosophy, which has often overlooked archaeology, as he unearths the importance of both a historical and cultural context in the study of philosophy. Weaving together the significance of ancient building sites in ancient Greek culture to...

In this book, Ann Ward explores Aristotle's Nicomachean Ethics, focusing on the progressive structure of the argument. Aristotle begins by giving an account of moral virtue from the perspective of the moral agent, only to find that the account itself highlights fundamental tensions within the virtues that push the moral agent into the realm of intellectual virtue. However, the existence of an intellectual realm separate from the moral realm can lead to lack of self-restraint. Aristotle, Ward argues, locates political philosophy and the experience of friendship as possible solutions to...

In this book, Clinton DeBevoise Corcoran examines the use of place in Plato's dialogues. Corcoran argues that spatial representations, such as walls, caves, and roads, as well as the creation of eternal patterns and chaotic images in the particular spaces, times, characterizations, and actions of the dialogues, provide clues to Plato's philosophic project. Throughout the dialogues, the Good serves as an overarching ordering principle for the construction of place and the proper limit of spaces, whether they be here in the world, deep in the underworld, or in the nonspatial ideal realm of the...

Focusing on Plato and Aristotle, the Stoics and Epicureans, and early Christian and Medieval sources, Ancient and Medieval Concepts of Friendship brings together assessments of different philosophical accounts of friendship. This volume sketches the evolution of the concept from ancient ideals of friendship applying strictly to relationships between men of high social position to Christian concepts that treat friendship as applicable to all but are concerned chiefly with the soul's relation to God--and that ascribe a secondary status to human relationships. The book concludes with two...

Plato was described as a boor and it was said that he never laughed out loud. Yet his dialogues abound with puns, jokes, and humor. Sonja Madeleine Tanner argues that in Plato's dialogues Socrates plays a comical hero who draws heavily from the tradition of comedy in ancient Greece, but also reforms laughter to be applicable to all persons and truly shaming to none. Socrates introduces a form of self-reflective laughter that encourages, rather than stifles, philosophical inquiry. Laughter in the dialogues--both explicit and implied--suggests a view of human nature as incongruous with...

In this book, Clinton DeBevoise Corcoran examines the use of place in Plato's dialogues. Corcoran argues that spatial representations, such as walls, caves, and roads, as well as the creation of eternal patterns and chaotic images in the particular spaces, times, characterizations, and actions of the dialogues, provide clues to Plato's philosophic project. Throughout the dialogues, the Good serves as an overarching ordering principle for the construction of place and the proper limit of spaces, whether they be here in the world, deep in the underworld, or in the nonspatial ideal realm of the...