Belarus is known as "the last dictatorship of Europe," yet its president enjoys public support. Its economy remains largely Soviet, yet exhibits high growth rates. Belarus styles itself as a European country yet clings to Russia as the only ally. The book explains these paradoxes by delving into history of Belarusian national institutions, including civil society, and the state. The book starts with an analysis of Belarusian national development from the time of the Grand Duchy of Lithuania to the short-lived Belarusian People's Republic of 1918. The discussion turns to the crucial interwar...

Historians habitually write about empires that expand, wage wars, and collapse, as if empires were self-evident and self-conscious entities with a distinct and clear sense of purpose. The stories of empires are told in the language of modern nation-centred social sciences: multi-cultural and heterogeneous empires of the past appear either as huge "nations" with a common language, culture, and territory, or as amalgamations of would-be nations striving to gain independence. Empire Speaks Out reconstructs the historical encounter of the Russian Empire of the seventeenth through the early...

"Eros and Creativity in Russian Religious Renewal" explores a tradition of sublimation and the theories of creativity in works of the four greatest Russian religious thinkers: Solovyov, Rozanov, Berdyaev and Vysheslatsev. Crone's study adds what is missing to the few books that currently exist about the use of psychoanalysis in Russia. It shows how the sexual theories of creativity /sublimation of Solovyov and Rozanov led to the concepts of Berdyaev and Vysheslatsev.

This book elaborates the origins of the famed Russian style and celebrates the seminal role that Fedor Solnstsev plays in its development, thus rescuing from near obscurity this pioneer in the arts of the nineteenth century and in the formation of the defining image of Imperial Russia.

The post-Soviet years have widely been interpreted as a period of intense moral questioning, debate, and struggle. Despite this claim few studies have revealed how this moral experience has been lived and articulated by Russians themselves. This book provides an intimate portrait of how five Muscovites have experienced the post-Soviet years as a period of intense refashioning of their moral personhood, and how this process can only be understood at the intersection of their unique personal experiences, a shared Russian/Soviet history, and increasingly influential global discourses and...

Georgii Fedotov's Saints of Ancient Russia, Georgii Florovskii's The Ways of Russian Theology, Nikolai Berdiaev's The Russian Idea and Vasilii Zenkovskii's History of Russian Philosophy--these are among the most well-known and widely-read historical studies of Russian thought and culture. Having left their homeland after the Bolshevik Revolution, these four authors aimed to present their readers with a common past and thus with a common identity, and their historical works emerged out of the need for reorientation in a post-revolutionary, emigre situation. At the...

The post-Soviet resurrection of the Russian Orthodox Church has once again brought the idyllic borderland monastery of Valaam into public notice. The fame of the monastery is largely based on its long and honorable historic image as the "Northern Athos" . This book argues that the fascinating and colorful image of Valaam was exclusively a result of the National Romanticist historiographic efforts of the 18th and 19th centuries. The work contributes, for instance, to the fields of nationality and borderland studies. It is a versatile case study of the multifaceted ways in which contemporary...

Much of the previous scholarship on Russia's literary discourses of sexuality and eroticism in the Silver Age was built on applying European theoretical models (from psychoanalysis to feminist theory) to Russia's modernization. This book argues that, at the turn into the twentieth century, Russian popular culture for the first time found itself in direct confrontation with the traditional high cultures of the upper classes and intelligentsia, producing modernized representations of sexuality. This Russian tradition of conflicted representations, heretofore misassessed by literary history,...

This book is the first biography of Nikolay Punin (1888-1953). One of the most prominent art-critics of the avant-garde, in 1919 Punin was the Commissar of the Hermitage and Russian Museums, he was lecturing at the Academy of Arts and at the State University in Petrograd (and subsequently Leningrad). He was the right hand of Lunacharsky and the head of the Petrograd branch of the Visual Arts Department of Narkompross. From 1913 till 1938, Punin worked at the Russian Museum and organized several major exhibitions of Russian art. Yet his name is not widely known in the West, primarily because...

This concise reader/anthology of Russian and Soviet erotic prose written between 1900 and 1940 consists of three parts: Silver Age writings, interwar emigre literature, and early Soviet fiction. It was not the author's intention to select the most accomplished works dedicated to the theme of sexuality and eroticism. Rather, the choice for the most part fell upon texts previously unavailable in English and thus less known to readers who do not read in Russian. In addition, these works give a good idea of how the "birth of the body" in Russian literature and culture actually happened and of the...