The evolving adventures and myth of Don Quixote from farcical social criticism to Romantic idealism and then melancholy. Hagiography, Jansenism and its interpretation of Pascal’s break with empiricism, Sarah and Henry Fielding, and Rousseau’s use of the Jansenist sequel to Don Quixote.

This book explores various representations and productions of love magic in medieval and early modern Iberian fictions. The use of magic serves as a metaphor for issues of control and exchange of knowledge among the various religious identities of the Peninsula throughout the centuries.

This book analyzes several Galician cultural products and social discourses, such as music,cinema, language, tourism. From a critical and diasporic approach, scholars based at international universities provide an overview of some tensions of contemporary Galician culture and politics through the critique of sociological sentidiño.