Enriching the existing scholarship on this important exhibition, Italy at Work: Her Renaissance in Design Today (1950-53), this book shows the dynamic role art, specifically sculpture, played in constructing both Italian and American culture after the Second World War.

Reconstructing Exhibitions in Art Institutions spans exhibition histories as anti-apartheid activism within South African community arts; Civil Rights movements and Black communities in Baltimore; reframing feminisms in USA; revisiting Cold War Modernisms in Eastern Europe among other themes.

Contemporary Curating, Artistic Reference and Public Reception undertakes a unique critical survey and analysis of prevailing group exhibition-making practices in Europe, the UK and North America.
 

This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War.