Lucian and His Roman Voices examines cultural exchanges, political propaganda, and religious conflicts in the Early Roman Empire through the eyes of Lucian, his contemporary Roman authors, and Christian Apologists. Offering a multi-faceted analysis of the Lucianic corpus, this book explores how Lucian, a Syrian who wrote in Greek and who became a Roman citizen, was affected by the socio-political climate of his time, reacted to it, and how he 'corresponded' with the Roman intelligentsia. In the process, this unique volume raises questions such as: What did the title 'Roman...

In a society where public speech was integral to the decision-making process, and where all affairs pertaining to the community were the subject of democratic debate, the communication between the speaker and his audience in the public forum, whether the law-court or the Assembly, cannot be separated from the notion of performance. Attic Oratory and Performance seeks to make modern Performance Studies productive for, and so make a significant contribution to, the understanding of Greek oratory.

Although quite a lot of ink has been spilt over the performance dimension of...

Theology and Existentialism in Aeschylus revivifies the complex question of fate and freedom in the tragedies of the famous Greek playwright. Starting with Sartre's insights about radical existential freedom, this book shows that Aeschylus is concerned with the ethical ramifications of surrendering our lives to fatalism (gods, curses, inherited guilt) and thoroughly interrogates the plays for their complex insights into theology and human motivation. But can we reconcile the radical freedom of existentialism and the seemingly fatal world of tragedy, where gods and curses and...

This book demonstrates and analyzes patterns in the response of the Imperial Roman state to local resistance, focusing on decisions made within military and administrative organizations during the Principate. Through a thorough investigation of the official Roman approach towards local revolt, author Gil Gambash answers significant questions that, until now, have produced conflicting explanations in the literature: Was Rome's rule of its empire mostly based on oppressive measures, or on the willing cooperation of local populations? To what extent did Roman decisions and actions indicate a...

This book examines the origins of ancient Greek science using the vehicles of blood, blood vessels, and the heart. Careful attention to biomedical writers in the ancient world, as well as to the philosophical and literary work of writers prior to the Hippocratic authors, produce an interesting story of how science progressed and the critical context in which important methodological questions were addressed. The end result is an account that arises from debates that are engaged in and "solved" by different writers. These stopping points form the foundation for Harvey and for modern...

Resemblance and Reality in Greek Thought follows the construction of reality from Homer into the Hellenistic era and beyond. Not only in didactic poetry or philosophical works but in practically all genres from the time of Homer onwards, Greek literature has shown an awareness of the relationship between verbal art and the social, historical, or cultural reality that produces it, an awareness that this relationship is an approximate one at best and a distorting one at worst. This central theme of resemblance and its relationship to reality draws together essays on a range of Greek...

An Ancient Theory of Religion examines a theory of religion put forward by Euhemerus of Messene (late 4th early 3rd century BCE) in his lost work Sacred Inscription, and shows not only how and why euhemerism came about but also how it was and still is used.

By studying the utilization of the theory in different periods from the Graeco-Roman world to Late Antiquity, and from the Renaissance to the twenty-first century this book explores the reception of the theory in diverse literary works. In so doing, it also unpacks the different adoptions and misrepresentations...

Translating Classical Plays is a selection of edited papers by J. Michael Walton published and delivered between 1997 and 2014. Of the four sections, each with a new introduction, the first two cover the history of translating classical drama into English and specific issues relating to translation for stage performance. The latter two are concerned with the three Greek tragedians, and the Greek and Roman writers of old and new comedy, ending with the hitherto unpublished text of a Platform Lecture given at the National Theatre in London comparing the plays of Plautus with Sondheim s "A...