Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to do an act of violence to the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work.
Gerard Manley Hopkins' invention of...
Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to do an act of violence to the self. Why might...
When a master novelist, essayist, and critic searches for the wellsprings of his own work, where does he turn? Mario Vargas Llosa Peruvian writer, presidential contender, and public intellectual answers this most personal question with elegant concision in this collection of essays. In Four Centuries of "Don Quixote," he revisits the quintessential Spanish novel a fiction about fiction whose ebullient prose still questions the certainties of our stumbling ideals. In recounting his illicit, delicious discovery of Borges fiction the most important thing to happen to imaginative writing in...
When a master novelist, essayist, and critic searches for the wellsprings of his own work, where does he turn? Mario Vargas Llosa Peruvian writer,...