Shakespeare's Surrogates contends that adapting Renaissance drama played a key role in the development of modern drama's major aesthetic movements. Loftis posits that playwrights' reactions to Shakespeare and his contemporaries worked to create their public personas, inform their theoretical writings, and influence the development of new genres.

This book considers popular culture's confrontations with the history, thought, and major figures of the English Renaissance through an analysis of 'period films, ' television productions, popular literature, and punk music

This study argues that Shakespeare can now be understood as part of public culture. Thanks to the emergence of mass education in the twentieth century, Albanese argues that Shakespeare has become a shared property, despite the depiction of his texts as 'elite' cultural objects in the film industry.

This collection of new essays is the first to explore the rich afterlife of one of Shakespeare's most recognizable characters. With contributions from an international group of established and emerging scholars, The Afterlife of Ophelia moves beyond the confines of existing scholarship and forges new lines of inquiry beyond Shakespeare studies.

Spectral Shakespeares is an illuminating exploration of experimental adaptations of Shakespeare on film, TV, and the web. Drawing on adaptation studies, media theory, and Derrida's work, the "Shakespeare" that emerges from these adaptations is a fragmentary and mediatized presence that leaves a mark on our contemporary mediascape.

This collection of new essays is the first to explore the rich afterlife of one of Shakespeare's most recognizable characters. With contributions from an international group of established and emerging scholars, The Afterlife of Ophelia moves beyond the confines of existing scholarship and forges new lines of inquiry beyond Shakespeare studies.

Spectral Shakespeares is an illuminating exploration of experimental adaptations of Shakespeare on film, TV, and the web. Drawing on adaptation studies, media theory, and Derrida's work, the "Shakespeare" that emerges from these adaptations is a fragmentary and mediatized presence that leaves a mark on our contemporary mediascape.

This study argues that Shakespeare can now be understood as part of public culture. Thanks to the emergence of mass education in the twentieth century, Albanese argues that Shakespeare has become a shared property, despite the depiction of his texts as 'elite' cultural objects in the film industry.

Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.

Shakespeare's Surrogates contends that adapting Renaissance drama played a key role in the development of modern drama's major aesthetic movements. Loftis posits that playwrights' reactions to Shakespeare and his contemporaries worked to create their public personas, inform their theoretical writings, and influence the development of new genres.