Simultaneously restless and enchanted, the primary speaker of these poems is a tourist in the truest sense. She finds herself on trains, in the backcountry of the American wilderness, in crowded European hostels, and in Vietnam, eating a partially fertilized egg. All the while, Michigan, the landscape of childhood, serves as her reference point ("A rustic sort of place I can't back away from"). Inspired by the Buddhist concept of anatta, or "no-self," the speaker navigates unfamiliar terrain, sparking the question of identity and the agent of its construction. The poems ask how through...
Simultaneously restless and enchanted, the primary speaker of these poems is a tourist in the truest sense. She finds herself on trains, in the backco...
In a stunning cycle of persona poems, Daneen Wardrop offers us a panoramic view of the inner lives of those forgotten among the violence and strife of the American Civil War: the nurse and the woman soldier, the child and the draftee, the prostitute, the black slave, and the Native American soldier. Each one speaks out to be seen and heard, bearing witness to the mundanity of suffering experienced by those whose presence was ubiquitous yet erased in the official histories of the War Between the States. Cyclorama takes its name from the theater-sized, in-the-round oil paintings...
In a stunning cycle of persona poems, Daneen Wardrop offers us a panoramic view of the inner lives of those forgotten among the violence and strife of...
In a stunning cycle of persona poems, Daneen Wardrop offers us a panoramic view of the inner lives of those forgotten among the violence and strife of the American Civil War: the nurse and the woman soldier, the child and the draftee, the prostitute, the black slave, and the Native American soldier. Each one speaks out to be seen and heard, bearing witness to the mundanity of suffering experienced by those whose presence was ubiquitous yet erased in the official histories of the War Between the States. Cyclorama takes its name from the theater-sized, in-the-round oil paintings...
In a stunning cycle of persona poems, Daneen Wardrop offers us a panoramic view of the inner lives of those forgotten among the violence and strife of...
Explores the use of procedural constraints in the production of poetry, prose and prose poetry. Examines issues of realism, narrative and narrativity, and confronts the problem of how place is constructed on the page. Follows Aristotle's original On Generation and Corruption (or, On Coming toBe and Passing Away) in considering the question of permanence and change.
Explores the use of procedural constraints in the production of poetry, prose and prose poetry. Examines issues of realism, narrative and narrativity,...
Explores the use of procedural constraints in the production of poetry, prose and prose poetry. Examines issues of realism, narrative and narrativity, and confronts the problem of how place is constructed on the page. Follows Aristotle's original On Generation and Corruption (or, On Coming toBe and Passing Away) in considering the question of permanence and change.
Explores the use of procedural constraints in the production of poetry, prose and prose poetry. Examines issues of realism, narrative and narrativity,...
A Provisional Map of the Lost Continent charts a territory built of speculative histories, indeterminate landscapes, and mock narratives, all of them at the threshold linking exterior and interior worlds. Their logic is highly grammatical and slyly confounding, perfectly clear and drawn from dream. It is here, "between / what is occluded and what has elapsed," that Mahrer's ambiguous, disordered subjects begin their journeys.
A Provisional Map of the Lost Continent charts a territory built of speculative histories, indeterminate landscapes, and mock narratives, all...
In this her second collection of poetry, Nancy K. Pearson explores the possibilities of recovery and transformation in a world where "words cease to matter." The speaker attempts to reconcile the past--a past shadowed by depression, addiction and misdiagnosis. Pearson refuses to end in a place of relief, asking the question, "don't we all /fall into aggregate darkness/for something?" Instead her poems meditate on the lyric of absence and fragmentation. Pearson's poems are restless, unsettling and revelatory.
In this her second collection of poetry, Nancy K. Pearson explores the possibilities of recovery and transformation in a world where "words cease to m...