For elegance and beauty, the Constantinopolitan scribes set standards rarely surpassed. The Gospel lectionary was among the books that attracted the most enthusiastic attention of scribes, illuminators, and their patrons. As an important liturgical item, the lectionary was often exquisitely decorated. The subject of this study, the lectionary in the Pierpont Morgan Library, is unusual even among such luxury manuscripts because its scribe laboriously copied every page of text in the shape of a cross. It is one of just three such manuscripts made in Constantinople around the middle of...

How was the female body perceived in the popular culture of late nineteenth-century Spain? Using a wide array of images from popular magazines of the day, Lou Charnon-Deutsch finds that women were typically presented in ways that were reassuring to the emerging bourgeois culture.

Charnon-Deutsch organizes the 190 images reproduced in this book into six broad categories, or "fictions of the feminine": she reads women's bodies as a romantic symbol of beauty or evil, as a privileged link with the natural order, as a font of male inspiration, as a mouthpiece of bourgeois mores, as a...

Published anonymously in 1554, Lazarillo de Tormes upset all the strict hierarchies that governed art and society during the Renaissance. It traces the adventures not of a nobleman or ancient hero, but rather of an ordinary man who struggles for survival in a cruel, corrupt society after growing up under the care of a blind beggar. Giancarlo Maiorino treats this picaresque narrative as a prism for exploring econopoetics, a term he uses to foreground the ways in which literary and economic modes of production feed off one another. His approach introduces readers to the turbulent...

The counter-epic is a literary style that developed in reaction to imperialist epic conventions as a means of scrutinizing the consequences of foreign conquest of dominated peoples. It also functioned as a transitional literary form, a bridge between epic narratives of military heroics and novelistic narratives of commercial success. In Discourses of Empire, Barbara Simerka examines the representation of militant Christian imperialism in early modern Spanish literature by focusing on this counter-epic discourse.

Simerka is drawn to literary texts that questioned or...

Cervantes's Don Quixote confronts us with a series of enigmas that, over the centuries, have divided even its most expert readers: Does the text pursue a serious or comic purpose? Does it promote the truth of history and the untruth of fiction, or the truth of poetry and the fictiveness of truth itself? In a book that will revise the way we read and debate Don Quixote, Charles D. Presberg discusses the trope of paradox as a governing rhetorical strategy in this most canonical of Spanish literary texts.

To situate Cervantes's masterpiece within the centuries-long...