In Career Stories, Juliette Rogers considers a body of largely unexamined novels from the Belle Epoque that defy the usual categories allowed the female protagonist of the period. While most literary studies of the Belle Epoque (1880-1914) focus on the conventional housewife or harlot distinction for female protagonists, the heroines investigated in Career Stories are professional lawyers, doctors, teachers, writers, archeologists, and scientists.
In addition to the one well-known woman writer from the Belle Epoque, Colette, this study will expand our knowledge of...
In Career Stories, Juliette Rogers considers a body of largely unexamined novels from the Belle Epoque that defy the usual categories allo...
In Career Stories, Juliette Rogers considers a body of largely unexamined novels from the Belle Epoque that defy the usual categories allowed the female protagonist of the period. While most literary studies of the Belle Epoque (1880-1914) focus on the conventional housewife or harlot distinction for female protagonists, the heroines investigated in Career Stories are professional lawyers, doctors, teachers, writers, archeologists, and scientists.
In addition to the one well-known woman writer from the Belle Epoque, Colette, this study will expand our knowledge of...
In Career Stories, Juliette Rogers considers a body of largely unexamined novels from the Belle Epoque that defy the usual categories allo...
Christine de Pizan, one of the earliest known women authors, wrote the Livre de paix (Book of Peace) between 1412 and 1414, a period of severe corruption and civil unrest in her native France. The book offered Pizan a platform from which to expound her views on contemporary politics and to put forth a strict moral code to which she believed all governments should aspire. The text's intended recipient was the dauphin, Louis of Guyenne; Christine felt that Louis had the political and social influence to fill a void left by years of incompetent leadership. Drawing in equal parts from...
Christine de Pizan, one of the earliest known women authors, wrote the Livre de paix (Book of Peace) between 1412 and 1414, a period of se...
Christine de Pizan, one of the earliest known women authors, wrote the Livre de paix (Book of Peace) between 1412 and 1414, a period of severe corruption and civil unrest in her native France. The book offered Pizan a platform from which to expound her views on contemporary politics and to put forth a strict moral code to which she believed all governments should aspire. The text's intended recipient was the dauphin, Louis of Guyenne; Christine felt that Louis had the political and social influence to fill a void left by years of incompetent leadership. Drawing in equal parts from...
Christine de Pizan, one of the earliest known women authors, wrote the Livre de paix (Book of Peace) between 1412 and 1414, a period of se...
The Occitan literary tradition of the later Middle Ages is a marginal and hybrid phenomenon, caught between the preeminence of French courtly romance and the emergence of Catalan literary prose. In this book, Catherine Leglu brings together, for the first time in English, prose and verse texts that are composed in Occitan, French, and Catalan-sometimes in a mixture of two of these languages. This book challenges the centrality of "canonical" texts and draws attention to the marginal, the complex, and the hybrid. It explores the varied ways in which literary works in the vernacular composed...
The Occitan literary tradition of the later Middle Ages is a marginal and hybrid phenomenon, caught between the preeminence of French courtly roman...
The Occitan literary tradition of the later Middle Ages is a marginal and hybrid phenomenon, caught between the preeminence of French courtly romance and the emergence of Catalan literary prose. In this book, Catherine Leglu brings together, for the first time in English, prose and verse texts that are composed in Occitan, French, and Catalan-sometimes in a mixture of two of these languages. This book challenges the centrality of "canonical" texts and draws attention to the marginal, the complex, and the hybrid. It explores the varied ways in which literary works in the vernacular composed...
The Occitan literary tradition of the later Middle Ages is a marginal and hybrid phenomenon, caught between the preeminence of French courtly roman...
Enide's tattered dress and Erec's fabulous coronation robe; Yvain's nudity in the forest, which prevents maidens who know him well clothed from identifying him; Lanval's fairy-lady parading about in the Arthurian court, scantily dressed, for all to observe: just why is clothing so important in twelfth-century French romance? This interdisciplinary book explores how writers of this era used clothing as a signifier with multiple meanings for many narrative purposes. Clothing figured prominently in twelfth-century France, where exotic fabrics and furs came to define a social elite. Monica...
Enide's tattered dress and Erec's fabulous coronation robe; Yvain's nudity in the forest, which prevents maidens who know him well clothed from ide...
Enide's tattered dress and Erec's fabulous coronation robe; Yvain's nudity in the forest, which prevents maidens who know him well clothed from identifying him; Lanval's fairy-lady parading about in the Arthurian court, scantily dressed, for all to observe: just why is clothing so important in twelfth-century French romance? This interdisciplinary book explores how writers of this era used clothing as a signifier with multiple meanings for many narrative purposes. Clothing figured prominently in twelfth-century France, where exotic fabrics and furs came to define a social elite. Monica...
Enide's tattered dress and Erec's fabulous coronation robe; Yvain's nudity in the forest, which prevents maidens who know him well clothed from ide...
In Transcending Textuality, Ariadna Garcia-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo's place within it by examining his works in relation to two potentially rival means of transmitting authority: spectacle and print. Quevedo's highly theatrical conceptions of power are identified with court ceremony, devotional ritual, monarchical and spiritual imagery, and religious and classical oratory. At the same time, his investment in physical and emotional display is shown to be fraught with concern about the decline of body-centered modes of...
In Transcending Textuality, Ariadna Garcia-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo's place wi...
In Don Juan and the Point of Honor, James Mandrell undertakes a systematic examination of the many questions surrounding the legendary character. On the one hand, it might be argued that Don Juan threatens society, since he is supposedly an agent of social anarchy. On the other hand, given his intriguing sexual accomplishments, he could be viewed as a positive expression of life itself. James Mandrell shows what is at stake in the asking of such questions and, moreover, what is at stake in representations and considerations of Don Juan.
After a discussion of the ways that...
In Don Juan and the Point of Honor, James Mandrell undertakes a systematic examination of the many questions surrounding the legendary cha...