Arguably the single most influential literary work of the European Middle Ages, the Roman de la Rose of Guillaume de Lorris and Jean de Meun has traditionally posed a number of difficulties to modern critics, who have viewed its many interruptions and philosophical discussions as signs of a lack of formal organization and a characteristically medieval predilection for encyclopedic summation. In Fortune's Faces, Daniel Heller-Roazen calls into question these assessments, offering a new and compelling interpretation of the romance as a carefully constructed and far-reaching...

During the First Crusade launched in 1095, thousands of Europeans fought to liberate Jerusalem from the Seljuk Turks. By 1099, they had succeeded, and in the decades that followed, Franks settled in the newly conquered territory, creating a rich intellectual and cultural life. They wrote poetry and histories of their experiences, erected churches and castles, and commissioned illuminated manuscripts, frescoes, sculpture, and more. The majority of the crusaders and settlers were French, so the art and culture of France were of abiding importance to them. But the settlers did not merely...

In History Out of Joint, Sande Cohen considers the ways in which historical narratives summon up a past and lay down a future in the ever-multiplying intellectual debates of contemporary public culture. As competing factions advance contradictory principles to validate or discredit their preferred accounts of the past and the present, Cohen argues that the fundamental question of how these principles themselves should be addressed--of what truly constitutes the use or abuse of history--has been pushed aside. Taking Nietzsche's idea of a simultaneous production and -anti-production-...

Aesthetic experience was problematic for Enlightenment authors. Arguing against the commonly held view that aesthetics in the eighteenth and early nineteenth centuries was defined by the professionalization of criticism and the disinterested contemplation and evaluation of the work of art in isolation, David Marshall seeks to understand how and why aesthetic experience in fact often generated tremendous emotion and tension. Focusing on stories about art told in literary, critical, and philosophical writings, in which art is represented as both powerful and disconcerting, he demonstrates...

How much can we know about sensory experience in the Middle Ages? While few would question that the human senses encountered a profoundly different environment in the medieval world, two distinct and opposite interpretations of that encounter have emerged--one of high sensual intensity and one of extreme sensual starvation.

Presenting original, cutting-edge scholarship, Stephen G. Nichols, Andreas Kablitz, Alison Calhoun, and their team of distinguished colleagues transport us to the center of this lively debate. Organized within historical, thematic, and contextual frameworks, these...