It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world.

It ranges widely over a variety of authors including classic golden age crime writers such as the four `queens of crime' (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid.

Located at the intersection of Shakespeare studies, performance studies, post-colonial criticism and cultural studies, the essays address the question of how Shakespeare's plays affect and are affected by their environments as they are transposed into a variety of media, cultures, geographical locations, genres and historical moments.

This innovative book offers an interdisciplinary analysis of Shakespearean theatre, presented in a series of imaginative readings of plays from every period of the playwright's career, from Two Gentlemen of Verona and The Taming of the Shrew to King Lear and The Tempest, mapping a new approach to ideas of the theatre as an institution.

This collection of essays approaches the works of Shakespeare from the topical perspective of the History of Emotions. Contributions come from established and emergent scholars from a range of disciplines, including performance history, musicology and literary history.