Haunting and haunted, "The River Won t Hold You" interrogates loneliness and loss with quiet insistence. In poems fashioned at the difficult intersection of imagination and experience, Karin Gottshall seeks an uneasy solace in the mysterious gaps between them: I tell myself I can be content with the pleasures / permitted ghosts, she writes in Afterlife, but my body wakes up / leaking saltwater, and won t let my ghost-self be. Poetic structure and the music of language offer a seductive repository for memory, philosophy, and pain. These poems are generous in both their formal approaches and...
Haunting and haunted, "The River Won t Hold You" interrogates loneliness and loss with quiet insistence. In poems fashioned at the difficult intersect...
The poems in Talvikki Ansel's Somewhere in Space work to locate us in this world and its mix of the made and natural, the cultivated and untamable. Faced with such mysteries and intricacies as the water-conducting tissue of trees, the sensory abilities of vultures, the lives of past writers (Edith Sodergran, Bruno Schulz), and fragments of history and our tenuous connections to them, the poems acknowledge the difficulty of authority, yet continue with their forays. Invented characters coexist with observations of mergansers and moths, orioles and cats; "Particulars rock / just inside...
The poems in Talvikki Ansel's Somewhere in Space work to locate us in this world and its mix of the made and natural, the cultivated and untama...