Choreographic Dwellings: Practising Place offers new readings of the kinaesthetic experiences of site-specific and nomadic performance, parkour, installation and walking practices. It extends the remit of the choreographic by reframing the kinaesthetic qualities of place as action.

This book examines modern dance as a form of embodied resistance to political and cultural nationalism in India through the works of five selected modern dance makers: Rabindranath Tagore, Uday Shankar, Shanti Bardhan, Manjusri Chaki Sircar and Ranjabati Sircar.

This exciting new volume offers insights into an ongoing series of debates on corporeality. Featuring an international line-up of contributors and a mix of researchers, artists and critics, the collection addresses questions concerning the production and reproduction of dance, the contexts of kinaesthetic histories, and the relationships between choreographic and cultural forces.

Ten international dramaturg-scholars advance proposals that reset notions of agency in contemporary dance creation. Dramaturgy becomes driven by artistic inquiry, distributed among collaborating artists, embedded in improvisation tasks, or weaved through audience engagement, and the dramaturg becomes a facilitator of dramaturgical awareness.

Jerome Bel: The Theatricality of Dance is the first English-language monograph on the work of French choreographer Jerome Bel. It covers his 20-year career as a now internationally-renowned choreographer from the beginnings in 1994 with his piece Nom donne par l'auteur to his most recent global productions like Disabled Theatre. The book provides an overview and an in-depth analysis of Bel's choreographies and the contexts they resonate with, exploring the intersection between artistic practice and theory.