Beaten, raped, and left for dead at the side of a road on the Standing Rock Reservation, young Elsie Roberts disappears into her self to revisit the haunts of her childhood and, perhaps, the depths of her experience to uncover the deepest mystery of all. In Elsie s Business, Elsie s search through her own memories ultimately intersects with the search of a stranger who is seeking Elsie s story.
A picture emerges of a poor child, half black and half Native, whose mother has barely eked out a living for the two of them by tanning deerskins and cleaning houses. Rebuilding her life in a...
Beaten, raped, and left for dead at the side of a road on the Standing Rock Reservation, young Elsie Roberts disappears into her self to revisit the h...
Gerald Vizenor presents in this anthology some of the best contemporary Native American Indian authors writing today. The five books from which these excerpts are drawn are published in the University of Nebraska Press sNative Storiersseries.This series introduces innovative, emergent, avant-garde Native literary artists and promotes a sense of survivance over the conventional themes of victimry, historical absence, cultural tragedy, and separation that often accompany Native characters in popular commercial fiction. These original narratives demonstrate a new and distinctive aesthetic in the...
Gerald Vizenor presents in this anthology some of the best contemporary Native American Indian authors writing today. The five books from which these ...
For the characters we meet in Toni Jensen's stories, the past is very much the present. Theirs are American Indian lives off the reservation, lives lived beyond the usual boundaries set for American Indian characters: migratory, often overlooked, yet carrying tradition with them into a future of difference and possibility.
Drawing on American Indian oral traditions and her own MEtis upbringing, Jensen tells stories that mix many lives and voices to offer fleeting perspectives on a world that reconfigures the tragedy and disconnection often found in narratives of American...
For the characters we meet in Toni Jensen's stories, the past is very much the present. Theirs are American Indian lives off the reservati...
Hiroshima Bugi is an ingenious kabuki novel that begins in the ruins of the Atomic Bomb Dome, a new Rashomon Gate. Ronin Browne, the humane peace contender, is the hafu orphan son of Okichi, a Japanese boogie-woogie dancer, and Nightbreaker, an Anishinaabe from the White Earth Reservation who served as an interpreter for General Douglas MacArthur during the first year of the American occupation in Japan. Ronin draws on samurai and native traditions to confront the moral burdens and passive notions of nuclear peace celebrated at the Peace Memorial Museum in Hiroshima. He creates a new calendar...
Hiroshima Bugi is an ingenious kabuki novel that begins in the ruins of the Atomic Bomb Dome, a new Rashomon Gate. Ronin Browne, the humane peace cont...
In this innovative novel, a librarian of Cherokee ancestry rekindles and reinvents her Native identity by discovering the rhythm and spark of traditionally told stories in the most unusual places in the modern world. Ada Ronner, a librarian at Northeastern State University in Tahlequah, Oklahoma, hears books speak and senses their restless flow as they circulate. The same relentless energy and liberation of the story is also felt by Ada as she roller-skates at the Dust Bowl, a local skating rink, floating far ahead of her husband, Ether, a physics professor. Hearing "the old Cherokee voices"...
In this innovative novel, a librarian of Cherokee ancestry rekindles and reinvents her Native identity by discovering the rhythm and spark of traditio...
We stare at each other because we don't know which tribe, and then nod at the last possible instant. Standard procedure. You pick it up the first time a white friend leads you across a room just to stand you up by another Indian, arrange you like furniture, like you should have something to say to each other. As one character after another tells it in these stories, much that happens to them does so because "I'm an Indian." And, as Stephen Graham Jones tells it in one remarkable story after another, the life of an Indian in modern America is as rich in irony as it is in tradition. A noted...
We stare at each other because we don't know which tribe, and then nod at the last possible instant. Standard procedure. You pick it up the first time...