Finalist for the International Association for the Study of Popular Music (IASPM) - US Chapter Book Award. (2002) Banda music has been performed by traditional brass bands in rural northwestern Mexico for more than a century, while technobanda, a newer style that has replaced the brass instruments with synthesizers and electric instruments, has become part of a lifestyle for tens of thousands of young people in the US, particularly in Los Angeles. The young people who flock to technobanda concerts also insist on the use of the Spanish language, a particular etiquette on the dance...
Finalist for the International Association for the Study of Popular Music (IASPM) - US Chapter Book Award. (2002) Banda music has been perf...
Winner of the International Book Award from International Association for the Study of Popular Music (2003) The practice of singing and songwriting in France during the Great War provides an intriguing tool for the exploration of the French cultural politics of the epoch. Responding to the dearth of cultural studies of the First World War, Regina Sweeney's unique cross-disciplinary study illuminates many of the hitherto unexplored corners of an era that many historians consider to exhibit a break with recognizable trends. In early twentieth century Europe, singing was...
Winner of the International Book Award from International Association for the Study of Popular Music (2003) The practice of singing and son...
The first serious ethnomusicological study of Malagasy music, Recollecting from the Past evokes the complex sound and performative aesthetic in Madagascar called maresaka. Maresaka pertains not only to musical expression but extends into ways of remembering the past, aesthetics of everyday life, and Malagasy concepts of self and community. Ron Emoff focuses on tromba spirit possession ceremonies in which Malagasy use devotional practice as an occasion to expressively re-figure worlds often impeded by colonialism and postcolonial phenomena, extreme material poverty, and widespread illness....
The first serious ethnomusicological study of Malagasy music, Recollecting from the Past evokes the complex sound and performative aesthetic in Madaga...
The thirteen essays that comprise Global Noise explore the hip hop scenes of Europe, Anglophone and Francophone Canada, Japan and Australia within their social, cultural and ethnic contexts. Countering the prevailing colonialist view that global hip hop is an exotic and derivative outgrowth of an African-American-owned idiom subject to assessment in terms of American norms and standards, Global Noise shows how international hip hop scenes, like those in France and Australia, developed by first adopting then adapting US models and establishing an increasing hybridity of local linguistic and...
The thirteen essays that comprise Global Noise explore the hip hop scenes of Europe, Anglophone and Francophone Canada, Japan and Australia within the...
Moving from web to field, from Victorian parlor to 21st-century mall, the 15 essays gathered here yield new insights regarding the intersection of local culture, musical creativity and technological possibilities. Inspired by the concept of "technoculture," the authors locate technology squarely in the middle of expressive culture: they are concerned with how technology culturally informs and infuses aspects of everyday life and musical experience, and they argue that this merger does not necessarily result in a "cultural grayout," but instead often produces exciting new possibilities. In...
Moving from web to field, from Victorian parlor to 21st-century mall, the 15 essays gathered here yield new insights regarding the intersection of loc...
From 1988 through 1993, guitarist/vocalist Steven Taylor toured the U.S. and Europe with the alternative rock group False Prophets, keeping a detailed journal with the intent of documenting the role of musicians in the international anarchist youth movement. His fieldnotes form the core of the book, accounting with honesty and aplomb the sometimes hilarious, sometimes harrowing, always engaging highs and lows of life on the road. False Prophet situates punk, and the diary itself, in relation to contemporary critiques of identity and ethnographic representation, and links punk's emergence...
From 1988 through 1993, guitarist/vocalist Steven Taylor toured the U.S. and Europe with the alternative rock group False Prophets, keeping a detailed...
The notion of "everyday life" is ubiquitous in the contemporary intellectual scene. While scholars frequently use this concept to signal a romantic return to the "common people," Berger and Del Negro are among the first to subject the term to theoretical scrutiny. This book explores how everyday life has been used in three intellectual traditions (American folklore, British cultural studies and French everyday life theory) and suggests a program for revitalizing anti-elitist approaches to culture. The book draws on studies of performance from around the globe, including the authors' work on...
The notion of "everyday life" is ubiquitous in the contemporary intellectual scene. While scholars frequently use this concept to signal a romantic re...
Moving beyond the biographical and journalistic approaches of most writing on Bruce Springsteen, Born in the U.S.A. was the first major work of cultural criticism to situate Springsteen's work in the broader sweep of American history--the heir of Walt Whitman and Woody Guthrie, Abraham Lincoln and Martin Luther King. Springsteen is an influential chronicler of our society, says Jim Cullen, a "good conservative" who preserves the traditional values of hard work, inclusive families, and genuine concern for the less fortunate. In the new edition to this landmark work, Cullen also discusses new...
Moving beyond the biographical and journalistic approaches of most writing on Bruce Springsteen, Born in the U.S.A. was the first major work of cultur...
Winner of the Society of Ethnomusicology's Alan Merriam Prize (2006) Drawing on his background as an ethnomusicologist as well as years of experience as an accomplished jazz musician, Paul Austerlitz argues that jazz--and the world-view or consciousness that surrounds it--embodies an aesthetic of inclusiveness, reaching out from its African American base to embrace all of humanity. Fans and musicians have made this claim before, but Austerlitz is the first to provide a scholarly basis for it. He examines jazz in relation to race and national identity in the U.S. and then broadens...
Winner of the Society of Ethnomusicology's Alan Merriam Prize (2006) Drawing on his background as an ethnomusicologist as well as years of ...
Winner of the IASPM's Woody Guthrie Award (2007) In the late 1950s to 1970s, an Afro-Peruvian revival brought the forgotten music and dances of Peru's African musical heritage to Lima's theatrical stages. The revival conjured newly imagined links to the past in order to celebrate--and to some extent recreate--Black culture in Peru. In this groundbreaking study of the Afro-Peruvian revival and its aftermath, Heidi Carolyn Feldman reveals how Afro-Peruvian artists remapped blackness from the perspective of the "Black Pacific," a marginalized group of African diasporic communities...
Winner of the IASPM's Woody Guthrie Award (2007) In the late 1950s to 1970s, an Afro-Peruvian revival brought the forgotten music and dance...