Rainbow Like an Emerald is the most comprehensive study of Lorraine stained glass as a regional style developed in conjunction with the typical Gothic architecture of the province.
Situated between France and Germany, medieval Lorraine increasingly looked to France for it cultural standards. While French in inspiration, however, its Gothic architecture and stained glass quickly developed strong regional and distinctive characteristics. This architecture has only in the last decade been studied, and Lillich's work is the first serious analysis of the windows.
Loraine...
Rainbow Like an Emerald is the most comprehensive study of Lorraine stained glass as a regional style developed in conjunction with the ty...
In Don Juan and the Point of Honor, James Mandrell undertakes a systematic examination of the many questions surrounding the legendary character. On the one hand, it might be argued that Don Juan threatens society, since he is supposedly an agent of social anarchy. On the other hand, given his intriguing sexual accomplishments, he could be viewed as a positive expression of life itself. James Mandrell shows what is at stake in the asking of such questions and, moreover, what is at stake in representations and considerations of Don Juan.
After a discussion of the ways that...
In Don Juan and the Point of Honor, James Mandrell undertakes a systematic examination of the many questions surrounding the legendary cha...
The remarkable evolution of Italian Gothic and Renaissance sepulchral art was initiated, not by the tomb of a pope or a prince but by one made for a saint, Dominic Guzman, founder of the Order of Preachers. The tomb was designed by Nicola Pisano in 1264 and built in San Domenico, Bologna, in 1267. Shortly after its construction, monumental tombs appeared everywhere in Italy, characterized by increasingly large-scale, spatially aggressive, architectonic forms with rich sculptural embellishments. This study analyzes the form and structure of this thirteenth-century monument and explores its...
The remarkable evolution of Italian Gothic and Renaissance sepulchral art was initiated, not by the tomb of a pope or a prince but by one made for ...