From the end of the Roman Republic to the death of the last Julio-Claudian emperor, portraits of women - on coins, public monuments, and private luxury objects - became an increasingly familiar sight throughout the empire. These women usually represented the distinguished bloodlines of the head of the state, or his hopes for succession, but in every case, their images were freighted with political significance. These objects also communicated social messages about the appropriate roles, behavior, and self-presentation of women. This volume traces the emergence and development of the public...

About 280 AD C. Iulius Romanus wrote a large work on Latin grammar. Parts of this work were later incorporated in the Ars grammatica of Flavius Sosipater Charisius. Romanus' Introduction to his list of adverbs is unique because of his approach of the subject. With the help of many rhetorical means he weaves together an intricate argument, which is completely different from the usual treatments of the adverb. This unique character was never noticed previously. The first chapters of this book deal with Charisius and Romanus in general and the Introduction in particular. A new edition with...

This is the second volume of a new narratological history of Ancient Greek lietrature, which deals with aspects of time: the order in which events are narrated, the amount of time devoted to the naration, and the number of times they are presented.

Dance of Words argues for a fundamental difference in the modes of expression of actor and chorus. The chorus views the action from the perspective of dancers and singers, while the actors' understanding is shaped by the responsibility they have to make things happen. While this responsibility fashions the actors' considerations of cause and effect, linear movement through time and space, and a sense of history, the chorus' sensibilities arise out of the rhythms of its song and movements. Its mode of expression is a particular way of communicating and elaborating on man's place in the...