As climate change, economic recession, war, and mass migration destabilize the world and create a less certain future, notions of home and shelter loom large. Breaking and Entering considers how contemporary artists and filmmakers address anxieties and vulnerabilities around housing and the house by prying open both physical and metaphorical domestic structures. Deploying tactics that range from cutting into the surface of actual buildings, to making and manipulating "real" and virtual architectural models, to filming urban decay, the artists under discussion dismantle traditional domesticity...

The practice of folk art in Nova Scotia is no accident of history. Rather Nova Scotia s relationship with folk art emerged in tandem with developments in Canadian cultural policy that helped to shape not only the history of art institutions across the province between 1967 and 1997. Erin Morton examines the emergence of folk art in late twentieth-century Nova Scotia by paying attention to the ways in which a conceptual category took concrete, material form. New archival research places the phenomenon of folk art within histories of cultural and economic development in the province under late...

Despite the legendary reputations of Madison Square Garden, Maple Leaf Gardens, and the Montreal Forum, skating rinks and hockey arenas may be North America's most overlooked cultural buildings. Architecture on Ice reveals the central role they have played in influencing urban, social, and political life across the continent. In the first book to chart the development of skating rinks and arenas from their origins as simple wooden sheds to today's fully wired, multi-purpose entertainment complexes, Howard Shubert examines how these buildings have been adapted to seasonal change and to a...

The practice of folk art in Nova Scotia is no accident of history. Rather Nova Scotia s relationship with folk art emerged in tandem with developments in Canadian cultural policy that helped to shape not only the history of art institutions across the province between 1967 and 1997. Erin Morton examines the emergence of folk art in late twentieth-century Nova Scotia by paying attention to the ways in which a conceptual category took concrete, material form. New archival research places the phenomenon of folk art within histories of cultural and economic development in the province under late...

When the Edmonton Museum of Arts opened in 1924 it was only the second art gallery in Canada west of Toronto. Spaces and Places for Art tells the story of the financial and ideological struggles that community groups and artist societies in booming frontier cities and towns faced in establishing spaces for the cultivation of artistic taste. Mapping the development of art institutions in western Canada from the founding of the Winnipeg Art Gallery in 1912 to the 1990s heyday of art museums in Manitoba, Saskatchewan, Alberta, and British Columbia, Anne Whitelaw provides a glimpse into the...

When the Edmonton Museum of Arts opened in 1924 it was only the second art gallery in Canada west of Toronto. Spaces and Places for Art tells the story of the financial and ideological struggles that community groups and artist societies in booming frontier cities and towns faced in establishing spaces for the cultivation of artistic taste. Mapping the development of art institutions in western Canada from the founding of the Winnipeg Art Gallery in 1912 to the 1990s heyday of art museums in Manitoba, Saskatchewan, Alberta, and British Columbia, Anne Whitelaw provides a glimpse into the...

Somewhere between global and local, the nation still lingers as a concept. National art histories continue to be written - some for the first time - while innovative methods and practices redraw the boundaries of these imagined communities. Narratives Unfolding considers the mobility of ideas, transnationalism, and entangled histories in essays that define new ways to see national art in ever-changing nations. Examining works that were designed to reclaim or rethink issues of territory and dispossession, home and exile, contributors to this volume demonstrate that the writing of national art...

Somewhere between global and local, the nation still lingers as a concept. National art histories continue to be written - some for the first time - while innovative methods and practices redraw the boundaries of these imagined communities. Narratives Unfolding considers the mobility of ideas, transnationalism, and entangled histories in essays that define new ways to see national art in ever-changing nations. Examining works that were designed to reclaim or rethink issues of territory and dispossession, home and exile, contributors to this volume demonstrate that the writing of national art...

From the Roaring Twenties and the Group of Seven to the Automatistes and the early Cold War, Canadian artists lived through and embodied an era of global tumult and change. With an interweaving of historical narrative, lavish illustrations, and writings by many of Canada's most revered cultural figures, Lora Senechal Carney illuminates the lives, perspectives, and works of the era's painters and provides glimpses of the sculptors, poets, dancers, critics, and filmmakers with whom they associated. Canadian Painters in a Modern World gives readers direct access to a carefully curated selection...

From the Roaring Twenties and the Group of Seven to the Automatistes and the early Cold War, Canadian artists lived through and embodied an era of global tumult and change. With an interweaving of historical narrative, lavish illustrations, and writings by many of Canada's most revered cultural figures, Lora Senechal Carney illuminates the lives, perspectives, and works of the era's painters and provides glimpses of the sculptors, poets, dancers, critics, and filmmakers with whom they associated. Canadian Painters in a Modern World gives readers direct access to a carefully curated selection...