This book, the first to focus on the integration of the Gulf Coast, is Dr. Gilbert R. Mason's eyewitness account of harrowing episodes that occurred there during the civil rights movement. Newly opened by court order, documents from the Mississippi Sovereignty Commission's secret files enhance this riveting memoir written by a major civil rights figure in Mississippi. He joined his friends and allies Aaron Henry and the martyred Medgar Evers to combat injustices in one of the nation's most notorious bastions of segregation.

In Mississippi, the civil rights struggle began in May 1959...

Passing in the Works of Charles W. Chesnutt is a collection that reevaluates Chesnutt's deft manipulation of the -passing- theme to expand understanding of the author's fiction and nonfiction. Nine contributors apply a variety of theories---including intertextual, signifying/discourse analysis, narratological, formal, psychoanalytical, new historical, reader response, and performative frameworks---to add richness to readings of Chesnutt's works. Together the essays provide convincing evidence that -passing- is an intricate, essential part of Chesnutt's writing, and that it appears...

Raymond Pace Alexander (1897-1974) was a prominent black attorney in Philadelphia and a distinguished member of the National Bar Association, the oldest and largest association of African American lawyers and judges. A contemporary of such nationally known black attorneys as Charles Hamilton Houston, William Hastie, and Thurgood Marshall, Alexander litigated civil rights cases and became well known in Philadelphia. Yet his legacy to the civil rights struggle has received little national recognition.

As a New Negro lawyer during the 1930s, Alexander worked with left-wing organizations...

Following the collapse of Reconstruction in 1877, African Americans organized a movement--distinct from the white Populist movement--in the South and parts of the Midwest for economic and political reform: Black Populism. Between 1886 and 1898, tens of thousands of black farmers, sharecroppers, and agrarian workers created their own organizations and tactics primarily under black leadership.

As Black Populism grew as a regional force, it met fierce resistance from the Southern Democrats and constituent white planters and local merchants. African Americans carried out a wide range of...

Lindsey R. Swindall examines the historical and political context of acclaimed African American actor Paul Robeson's three portrayals of Shakespeare's Othello in the United Kingdom and the United States. These performances took place in London in 1930, on Broadway in 1943, and in Stratford-upon-Avon in 1959. All three of the productions, when considered together, provide an intriguing glimpse into Robeson's artistry as well as his political activism.

The Politics of Paul Robeson's Othello maintains that Robeson's development into a politically minded artist explicates the...

Americans in the World War II era bought the novels of African American writers in unprecedented numbers. But the names on the books lining shelves and filling barracks trunks were not the now-familiar Richard Wright and Ralph Ellison, but Frank Yerby, Chester Himes, William Gardner Smith, and J. Saunders Redding.

In this book, Stephanie Brown recovers the work of these innovative novelists, overturning conventional wisdom about the writers of the period and the trajectory of African American literary history. She also questions the assumptions about the relations between race and...

The Other World of Richard Wright: Perspectives on His Haiku reveals Richard Wright's poetic vision toward the human world. Through the minimal form of haiku, Wright (1908-1960) found his poetic connection to nature. This sensibility displays not only the change in him as a writer but also the tenderness in him as a human being.

These essays open up a new territory in Wright studies by tracing the development of Wright's aesthetic and its relationship to African and Japanese cultures. The book tells how haiku offered a therapeutic outlet for Wright in his final two years of...

In All Stories Are True, Tracie Church Guzzio provides the first full-length study of John Edgar Wideman's entire oeuvre to date. Specifically, Guzzio examines the ways in which Wideman (b. 1941) engages with three crucial themes-history, myth, and trauma-throughout his career, showing how they intertwine. Guzzio argues that, for four decades, the influential African American writer has endeavored to create a version of the African American experience that runs counter to mainstream interpretations, using history and myth to confront and then heal the trauma caused by slavery and...

Lindsey R. Swindall examines the historical and political context of acclaimed African American actor Paul Robeson's three portrayals of Shakespeare's Othello in the United Kingdom and the United States. These performances took place in London in 1930, on Broadway in 1943, and in Stratford-upon-Avon in 1959. All three of the productions, when considered together, provide an intriguing glimpse into Robeson's artistry as well as his political activism.

The Politics of Paul Robeson's Othello maintains that Robeson's development into a politically minded artist explicates the...

Winner 2010 Outstanding Academic Title Choice

Winner 2010 EBSCOhost / Research Society for American Periodicals Book Prize

Honorable Mention 2010 Thomas J. Lyon Book Award, Western Literature Association

In January of 1861, on the eve of both the Civil War and the rebirth of the African Methodist Episcopal Church's Christian Recorder, John Mifflin Brown wrote to the paper praising its editor Elisha Weaver: "It takes our Western boys to lead off. I am

proud of your paper."

Weaver's story, though, like many of the contributions of early black literature outside of...