Gary Waller surveys Spenser's career in terms of the material conditions of its production - the often overlooked material factors of race, gender, class, agency - and the resonant 'places' which influenced his career - court, church, nation, colony. The book includes an original account of the gender politics of Spenser's work and his difficult position between Ireland and England, the 'homes' about which he held ambivalent feelings. Waller also discusses the 'place' the biographer occupies in writing a literary life.

This account of Orwell's life is chiefly concerned with what influenced Orwell, his relations with publishers and editors, and the analysis of certain key experiences - the deposition that during the Spanish Civil War he was guilty of espionage and high treason; his work at the BBC; his interest in pamphlet literature; and his time as a war correspondent. There is a detailed assessment of his earnings from 1922 to 1945 and a fresh look at his attitudes to class, women, and religious belief. Special attention is paid to his essays.

Matthew Arnold, the foremost Victorian 'man of letters', forged a unique literary career, first as an important post-Romantic poet and then as a prose writer who profoundly influenced the formation of modern literary and cultural studies. Machann challenges the popular image of Arnold as an elitist intellectual and shows how his poetry and prose grew out of his personal life and his passionate engagement with the world, emphasizing the journal publications that drove his career as a literary, social and religious critic.

Waugh's life and his literary life exist in fascinating, dynamic relationship. Virtually all of his fiction was autobiographical, yet he maintained that his novels were 'objects', unrelated to the life of their author. This study traces the shifting relationship of ascertainable fact and imaginative fiction throughout Waugh's career, focusing on the endless negotiation he conducted between life and art, and on why, from being author of the anarchic, hilarious Decline and Fall, he transformed himself into the author of the romantic, eschatological Brideshead Revisited .

This comprehensive overview of Mary Shelley's life as an author frequently reads like an anthology of extracts from some of the most lurid and sensationalist novels of the early 19th century. After the stormy years of her relationship with Percy Shelley ended in his tragic death, Mary went on to raise her one surviving son, never sure of the loyalty of friends and threatened and intimidated by her dead husband's father. Shelley is known best as the author of Frankenstein, and an important function of this book is to reassess her achievement as the author of seven novels, innumerable short...

Emphasizing Frances Burney's professionalism and her courage, Janice Farrar Thaddeus shows the protean writer who recognised her abilities and exercised them, always carefully shaping her career. Though now frequently depicted as retiring, even fearful, Burney forced on her reading public themes they were scarcely ready for, flamboyantly mixing genres, writing comically about intimate violence. Not content in old age to be merely a literary icon, she privately recorded with increasing clarity the moments when the world lacerates the self.

This is a study of the forces and influences that shaped Kipling's work, including his unusual family background, his role as the laureate of empire and the deaths of two of his children, and of his complex relations with a literary world that first embraced and then rejected him.

Drawing on a series of new sources, this biography of Ezra Pound - the first to appear in more than a decade - outlines his contribution to modernism through a detailed account of his development, influence and continued significance. It pays special attention to his role in creating Imagism, Vorticism and the modern long poem, as well as his importance for Yeats, Joyce and Eliot. His roles as editor, translator and critic, plus his attempt to complete The Cantos, are also studied.

In a letter, Katherine Mansfield writes: 'I hate the sort of licence that English people give themselves - to spread over and flop and roll about. I feel as fastidious as though I write with acid'. This book explores Mansfield's idiosyncratic aesthetic by focusing on her position as an outsider in Britain: a New-Zealander, a woman writer, a Fuavist, and eventually a consumptive. Her sharp-edged fiction is discussed in relation to her involvement with Post-Impressionist painting and painters.

A Literary life of William Makepeace Thackeray offers a new perspective on the relation between Thackeray's life and his novels. It combines an analysis of his philosophy/religion with his life's experiences with women and acknowledgements of his dependence on writing for a livelihood to provide an explanation for his narrative strategies. Tracing Thackeray's composition and revision of sample passages demonstrates that these strategies were conscious developments. Thackeray's critique of the evils of society focused subtly on conventional domestic cruelties and on the inequities of the world...