In Los Angeles, night after night, the city's salsa clubs become social arenas where hierarchies of gender, race, and class, and of nationality, citizenship, and belonging are enacted on and off the dance floor. In an ethnography filled with dramatic narratives, Cindy Garcia describes how local salseras/os gain social status by performing an exoticized L.A. style salsa that distances them from club practices associated with Mexicanness. Many Latinos in Los Angeles try to avoid "dancing like a Mexican," attempting to rid their dancing of techniques that might suggest that they are migrants,...

In Los Angeles, night after night, the city's salsa clubs become social arenas where hierarchies of gender, race, and class, and of nationality, citizenship, and belonging are enacted on and off the dance floor. In an ethnography filled with dramatic narratives, Cindy Garcia describes how local salseras/os gain social status by performing an exoticized L.A. style salsa that distances them from club practices associated with Mexicanness. Many Latinos in Los Angeles try to avoid "dancing like a Mexican," attempting to rid their dancing of techniques that might suggest that they are migrants,...

Embers of the Past is a powerful critique of historicism and modernity. Javier Sanjines C. analyzes the conflict between the cultures and movements of indigenous peoples and attention to the modern nation-state in its contemporary Latin American manifestations. He contends that indigenous movements have introduced doubt into the linear course of modernity, reopening the gap between the symbolic and the real. Addressing this rupture, Sanjines argues that scholars must rethink their temporal categories. Toward that end, he engages with recent events in Latin America, particularly in...

Embers of the Past is a powerful critique of historicism and modernity. Javier Sanjines C. analyzes the conflict between the cultures and movements of indigenous peoples and attention to the modern nation-state in its contemporary Latin American manifestations. He contends that indigenous movements have introduced doubt into the linear course of modernity, reopening the gap between the symbolic and the real. Addressing this rupture, Sanjines argues that scholars must rethink their temporal categories. Toward that end, he engages with recent events in Latin America, particularly in...

Written during the last decade of her life, Light in the Dark represents the culmination of Gloria E. Anzaldua's mature thought and the most comprehensive presentation of her philosophy. Throughout, Anzaldua weaves personal narratives into deeply engaging theoretical readings to comment on numerous contemporary issues including the September 11 attacks, neocolonial practices in the art world, and coalitional politics. She valorizes subaltern forms and methods of knowing, being, and creating that have been marginalized by Western thought, and theorizes her writing process as a fully...

"Light in the Dark" is the culmination of Gloria E. AnzaldUa's mature thought and the most comprehensive presentation of her philosophy. Focusing on aesthetics, ontology, epistemology, and ethics, it contains several developments in her many important theoretical contributions.

In Indian Given Maria Josefina Saldana-Portillo addresses current racialized violence and resistance in Mexico and the United States with a genealogy that reaches back to the sixteenth century. Saldana-Portillo formulates the central place of indigenous peoples in the construction of national spaces and racialized notions of citizenship, showing, for instance, how Chicanos/as in the U.S./Mexico borderlands might affirm or reject their indigenous background based on their location. In this and other ways, she demonstrates how the legacies of colonial Spain's and Britain's differing...

In Indian Given Maria Josefina Saldana-Portillo addresses current racialized violence and resistance in Mexico and the United States with a genealogy that reaches back to the sixteenth century. Saldana-Portillo formulates the central place of indigenous peoples in the construction of national spaces and racialized notions of citizenship, showing, for instance, how Chicanos/as in the U.S./Mexico borderlands might affirm or reject their indigenous background based on their location. In this and other ways, she demonstrates how the legacies of colonial Spain's and Britain's differing...

Lamonte Aidoo upends dominant narratives of Brazilian national identity by showing how the myth of racial democracy is based on interracial and same-sex sexual violence between slave owners and their slaves that operated as a mechanism of perpetuating slavery and heteronormative white patriarchy.

Lamonte Aidoo upends dominant narratives of Brazilian national identity by showing how the myth of racial democracy is based on interracial and same-sex sexual violence between slave owners and their slaves that operated as a mechanism of perpetuating slavery and heteronormative white patriarchy.