Telling to Live embodies the vision that compelled Latina feminists to engage their differences and find common ground. Its contributors reflect varied class, religious, ethnic, racial, linguistic, sexual, and national backgrounds. Yet in one way or another they are all professional producers of testimonios or life stories whether as poets, oral historians, literary scholars, ethnographers, or psychologists. Through coalitional politics, these women have forged feminist political stances about generating knowledge through experience. Reclaiming testimonio as a tool for...
Telling to Live embodies the vision that compelled Latina feminists to engage their differences and find common ground. Its contributors reflec...
Telling to Live embodies the vision that compelled Latina feminists to engage their differences and find common ground. Its contributors reflect varied class, religious, ethnic, racial, linguistic, sexual, and national backgrounds. Yet in one way or another they are all professional producers of testimonios or life stories whether as poets, oral historians, literary scholars, ethnographers, or psychologists. Through coalitional politics, these women have forged feminist political stances about generating knowledge through experience. Reclaiming testimonio as a tool for...
Telling to Live embodies the vision that compelled Latina feminists to engage their differences and find common ground. Its contributors reflec...
The Italian art cinema of the 1960s is known worldwide for its brilliance and vitality. Yet rarely has this cinema been considered in relation to the profound economic and cultural changes that transformed Italy during the sixties--described as the "economic miracle." Angelo Restivo argues for a completely new understanding of that cinema as a negotiation between a national aesthetic tradition of realism and a nascent postmodern image culture. Restivo studies numerous films of the period, focusing mainly on the works of Pier Paolo Pasolini and Michelangelo Antonioni. He finds that these...
The Italian art cinema of the 1960s is known worldwide for its brilliance and vitality. Yet rarely has this cinema been considered in relation to the ...
The Art of Transition addresses the problems defined by writers and artists during the postdictatorship years in Argentina and Chile, years in which both countries aggressively adopted neoliberal market-driven economies. Delving into the conflicting efforts of intellectuals to name and speak to what is real, Francine Masiello interprets the culture of this period as an art of transition, referring to both the political transition to democracy and the formal strategies of wrestling with this change that are found in the aesthetic realm. Masiello views representation as both a...
The Art of Transition addresses the problems defined by writers and artists during the postdictatorship years in Argentina and Chile, years in ...
The Art of Transition addresses the problems defined by writers and artists during the postdictatorship years in Argentina and Chile, years in which both countries aggressively adopted neoliberal market-driven economies. Delving into the conflicting efforts of intellectuals to name and speak to what is real, Francine Masiello interprets the culture of this period as an art of transition, referring to both the political transition to democracy and the formal strategies of wrestling with this change that are found in the aesthetic realm. Masiello views representation as both a...
The Art of Transition addresses the problems defined by writers and artists during the postdictatorship years in Argentina and Chile, years in ...
Between 1946 and 1966a surge of violence in Colombia left 200,000 dead in one of the worst conflicts the western hemisphere has ever experienced. the first seven years of this little-studied period of terror, known as la Violencia, is the subject of Blood and Fire. Scholars have traditionally assumed that partisan politics drove La Violencia, but Mary Roldan challenges earlier assessments by providing a nuanced account of the political and cultural motives behind the fratricide. Although the author acknowledges that partisan animosities played an important role in the...
Between 1946 and 1966a surge of violence in Colombia left 200,000 dead in one of the worst conflicts the western hemisphere has ever experienced. the ...
Between 1946 and 1966a surge of violence in Colombia left 200,000 dead in one of the worst conflicts the western hemisphere has ever experienced. the first seven years of this little-studied period of terror, known as la Violencia, is the subject of Blood and Fire. Scholars have traditionally assumed that partisan politics drove La Violencia, but Mary Roldan challenges earlier assessments by providing a nuanced account of the political and cultural motives behind the fratricide. Although the author acknowledges that partisan animosities played an important role in the...
Between 1946 and 1966a surge of violence in Colombia left 200,000 dead in one of the worst conflicts the western hemisphere has ever experienced. the ...
From nineteenth-century black nationalist writer Martin Delany through the rise of Jim Crow, the 1937 riots in Trinidad, and the achievement of Independence in the West Indies, up to the present era of globalization, "Black Nationalism in the New World" explores the paths taken by black nationalism in the United States and the Caribbean. Bringing to bear a comparative, diasporic perspective, Robert Carr examines the complex roles race, gender, sexuality, and history have played in the formation of black national identities in the U. S. and Caribbean--particularly in Jamaica, Trinidad, and...
From nineteenth-century black nationalist writer Martin Delany through the rise of Jim Crow, the 1937 riots in Trinidad, and the achievement of Indepe...
From nineteenth-century black nationalist writer Martin Delany through the rise of Jim Crow, the 1937 riots in Trinidad, and the achievement of Independence in the West Indies, up to the present era of globalization, "Black Nationalism in the New World" explores the paths taken by black nationalism in the United States and the Caribbean. Bringing to bear a comparative, diasporic perspective, Robert Carr examines the complex roles race, gender, sexuality, and history have played in the formation of black national identities in the U. S. and Caribbean--particularly in Jamaica, Trinidad, and...
From nineteenth-century black nationalist writer Martin Delany through the rise of Jim Crow, the 1937 riots in Trinidad, and the achievement of Indepe...