Beginning with a widespread definition of Decadence as when individual parts flourish at the expense of the whole, Regenia Gagnier - a leading cultural historian of late nineteenth-century Britain - shows the full range of meanings of individualism at the height of its promise.

After World War II, writers and literary critics - black and white - engaged in heated debates centred on the literary and imaginative problem of representing African-Americans in American literature. As the Cold War unfolded, many of these debates began to appear in journals, conferences and other events, including those directly sponsored by the Congress for Cultural Freedom and other organisations funded by U.S. and British intelligence agencies. Ralph Ellison, who would eventually join the American Congress for Cultural Freedom, was one of the most famous and frequently published critics...

This book examines the encounters between leading 'analytic' and 'continental' philosophers: Frege and Husserl, Carnap and Heidegger, Merleau-Ponty, Bataille and Ayer, the Royaumont colloquium, and Derrida with Searle.

Inspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media.

Literature and Film, Dispositioned looks to twentieth-century literature's encounter with film - silent film in particular - as a means to thinking about the locations of thought in literature. Interested especially in theories of free indirect style both literary and filmic, it brings these theories together by seeing the free indirect as involving less the representation of interiority than a disposition (a subjective temperament) that is also a dispositioning (subjectivity's displacement, or else its eclipsical quitting). In this sense, the book is also more broadly an exploration of the...

What do we mean by 'voice' in poetry? In this work, David Nowell Smith teases out the diverse meanings of 'voice', from a poem's soundworld to the rhetorical gestures through which poems speak to us, in order to embark on a philosophical exploration of the concept of voice itself.

Ireland's history of contested language systems has always been linked to its political realities; Language, Identity and Liberation attends to a movement of contemporary Irish writing that considers the significance of the region's tumultuous cultural, social and political history in portrayals of contemporary Ireland's everyday life and speech.

This collection features the work of both established and up-and-coming scholars in the UK and US, with contributors including Peter Goodrich, Lorna Hutson, Erica Sheen and David Colclough studying the period of the English Renaissance from the 1520s to the 1660s. This wide-ranging study, working on the edge of new historicism as well as book history, covers topics such as libel/slander and literary debate, legal textual production, authorship and the politics of authorial attribution and theatre and the law.

Beginning with a widespread definition of Decadence as when individual parts flourish at the expense of the whole, Regenia Gagnier - a leading cultural historian of late nineteenth-century Britain - shows the full range of meanings of individualism at the height of its promise.

Many studies of fictions of city life take the flaneur as the characteristic metropolitan type and streets and plazas as definitive urban spaces. Looking at novels and films set in London and Paris from L'Assommoir to Nil By Mouth, this book showsthat mass housing is equallycentral toimages ofthe modern city."