Featuring essays by top scholars and interviews with acclaimed directors, this book examines Italian women's authorship in film and their visions of reality. The contributors use feminist film criticism in the analysis of their works and give direct voices to the artists who are constantly excluded by the conventional Italian film criticism.

This book presents an organic view of Benito Mussolini's youth as a radical Socialist. Because of his later career as the founder of fascism and of the first Fascist regime that set the tone for subsequent similar dictatorships, and the historical polemics regarding these developments, Mussolini's life before fascism has been neglected or distorted. The essays presented in this book will add another dimension to the interpretation of Mussolini's life in two ways: by making his activities as a revolutionary Socialist widely known and by presenting interpretations of the first phase of his...

Addressing cultural representations of women's participation in the political violence and terrorism of the Italian anni di piombo ('years of lead', c. 1969-83), this book conceptualizes Italy's experience of political violence during those years as a form of cultural and collective trauma.

This book reviews the period from the unification of Italy to the fascist era through significant Neapolitan performers such as Gilda Mignonette and Enrico Caruso. It traces the transformation of a popular tradition written in dialect into a popular tradition, written in Italian, that contributed to the production of "American" identity.

Despite an outpouring in recent years of history and cultural criticism related to the Holocaust, Italian women's literary representations and testimonies have not received their proper due. This project fills this gap by analyzing Italian women's writing from a variety of genres, all set against a complex historical backdrop.

Twelve years have gone by since the passing of George L. Mosse, yet his work still provides essential tools for historical analysis and influences contemporary research. This volume provides a re-examination of his historiographical production and an analysis of his influence in the context of Italian history.

This bracing volume collects work on Italian writers and filmmakers that engage with nonhuman animal subjectivity. These contributions address 3 major strands of philosophical thought: perceived borders between man and animals, historical and fictional crises, and human entanglement with the nonhuman and material world.

Under Italian Fascism, African-Italian mulattoes and white Italians living in Egypt posed a particular threat to the pursuit of a homogenous national identity. This book examines novels and films of the period, showing that their attempts at stigmatization were self-undermining, forcing audiences to reassess their collective identity.

Italian Academies have typically been studied individually or in the context of specific cities, leaving an important lacuna in the scholarship on Italian culture and early modernity. Cutting across various disciplines, this volume traces the relationships of these Academies and explains how they prefigured networks like the Republique des letters.

For many people, the term 'mafia' connotes a vast and powerful organization originating exclusively in southern Italy. In this bracing new history, however, renowned Italian historian Salvatore Lupo argues that a realistic understanding of the mafia phenomenon must avoid two seemingly opposed and persistent depictions: one of a single octopus extending its tentacles from Sicily to envelop the world, the other of thousands of small, localized groups operating in relative isolation. Instead, the mafia is best understood within the context of a network of overlapping business, municipal, and...