An insightful look into the origins of modern Italian media culture by examining a sensational crime and trial that took place in Rome in the late 1870s, when a bloody murder triggered a national spectacle that became the first great media circus in the new nation of Italy, crucially shaping the young state's public sphere and image of itself.

When themes of historical and cultural identity appear and repeat in popular film, it is possible to see the real pulse of a nation and comprehend a people, their culture and their history. National Identity in Global Cinema describes how national cultures as reflected in popular cinema can truly explain the world, one country at a time.

This book provides a significant history of Italy's brutal occupation of Libya. Using the lens of the life of the iconic resistance fighter Mohamed Fekini, it tells the story of Libya under Ottoman and Italian rule from the point of view of the colonized.

This book explains Italy s endless political instability and its historical, cultural and economic roots. It also illustrates why, even after the creation of the Italian state, Italy was never really unified. Piero Gobetti described fascism once as the "autobiography" of the Italian nation. This book explains why today it is possible to describe "berlusconism" - a cultural, political and social phenomenon in Italy- as the most recent version of this country s autobiography.

There has been an odd reluctance on the part of historians of the Italian American experience to confront the discrimination faced by Italians and Americans of Italian ancestry. This volume is a bold attempt by an esteemed group of scholars and writers to discuss the question openly by charting the historical and cultural boundaries of stereotypes, prejudice, and assimilation. Contributors offer a continuous series of cultural encounters and experiences in television, literature, and film that deserve the attention of anyone interested in the larger themes of American history.

Drawing on both wartime discourse about women and the voices of individual women living at the Italian Front, Allison Belzer analyzes how women participated in the Great War and how it affected them. The Great War transformed women into purveyors and recipients of a new feminine ideal that emphasized their status as national citizens. Although Italian women did not gain the vote, they did encounter a less empowering form of female citizenship just after the war ended with Mussolini's Fascism. Because of the Great War, many women seized the opportunity to participate in a society that...

The Emancipation signalled the beginning of Jewish integration in Italy, a process that continued until 1938 when the Racial Laws were put into effect. In this book, Bettin examines the debate between integration and assimilation in the early twentieth century and Jewish culture to trace the 'rebirth of Judaism' that characterized the period.

This study of the first national festival of modern Italy historically reconstructs the event, using a mass of un-catalogued and unpublished documents left by the organizers, which positions the Centenary as a platform upon which an alternative definition of Italian national identity emerged.

This book adds to this growing body of scholarship on the Italian Resistance by analysing, for the first time, how the 'three wars' are represented over the broad spectrum of Resistance culture from 1945 to the present day. Furthermore, it makes this contribution to scholarship by bridging the gap between historical and cultural analysis. Whereas historians frequently use literary texts in their writings, they are often flawed by an insufficiently nuanced understanding of what a literary text is. Likewise, literary critics who have discussed writers such as Calvino and Vittorini, or films...