The emergence of the Chinese socialist realist novel can best be understood in light of the half-century long formation of the modern concept of literature in China. Globalized in the wake of modern capitalism, literary modernity configures the literary text in a relationship to both modern philosophy and literary theory. This book traces China's unique, complex, and creative articulation of literary modernity beginning with Lu Xun's "The True Story of Ah Q." Cai Yi's aesthetic theory of the type (dianxing) and the image (xingxiang) is then explored in relation to global...

In face of rapid social and economic changes since the late 1970s, where is China transforming toward? If culture, in the form values, ideals, and ideological struggles, plays a key role in China's latest round of social transformations, what are the cultural legacies and resources that are at play and in what ways they do so? This collection of essays aims at addressing these questions. Written by some of the leading intellectuals and thinkers, in and outside of contemporary China, these essays, in different ways, re-examine and reflect on the extent to which three major cultural legacies,...

In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei's Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the...

Chinese modernity discourses have been dominated by nationalism and revolutionary radicalism in much of the 20th century, but liberal cosmopolitanism has always been an important force in modern Chinese intellectuality, though a much neglected topic in modern Chinese studies. This book is a cross-cultural critique on the problem of the liberal cosmopolitan in modern Chinese intellectuality in light of Lin Yutang's literary and cultural practices across China and America. It includes comparative reference to other discourses of major literary and intellectual figures such as Zhang Zhidong,...

Buttressed by an autocratic system, China's colossal economic growth over the past decades seems to have had the paradoxical effect of undermining the foundation of Western domination but at the same time invigorating Eurocentricism. In particular, it highlights the current relevance of the central conviction of Weber's Orient: the absence of civic roots in non-Western societies will create a kind of "uncivic" capitalist system in which one has no choice but to seek to compensate for instabilities through authoritarian institutions. Does this mean that the West may alone afford to harmonize...

The story of Hong Kong's New Asia College, from its 1949 establishment through its 1963 incorporation into The Chinese University of Hong Kong, reveals the efforts of a group of self-exiled intellectuals in establishing a Confucian-oriented higher education on the Chinese periphery. Their program of cultural education encountered both support and opposition in the communist containment agenda of American non-governmental organizations and in the educational policies of the British colonial government. By examining the cooperation and struggle between these three parties, this study sheds...

As China enters the second decade of the 21st century, it faces tremendous challenges and crisis. How did China arrive at this point of crisis? How do we understand the nature of the challenges? More than any existing study of reform-era China, this volume offers a theoretical discussion of the cultural and social roots of the reform. It does so for the purpose of further exploring whether or not it is possible to imagine alternatives. Contributors to this second volume of "Culture and Social Transformations in Reform Era China" address these questions by exploring some of the most...

In Signposts of Self-Realization, Xinmin Liu offers an ontological study of education and development of the individual self through the prisms of ethical progress and social evolution in the context of modern Chinese literature and film. Did self-realization in the Chinese modern follow the law of Social Darwinism: the biggest ego always won out? Is individualism always self-regarding, never other-regarding? How did the Greater I evolve out of the Lesser I socially and ethically? Confronting these questions, the author navigates through the terrains of paraphrastic translation,...

In Politics of Art Zhiguang Yin investigates members of the Creation Society and their social network while in Japan. The study contextualises the Chinese left-wing intellectual movements and their political engagements in relation with the early 20th century international political events and trends in both East Asia and Europe. The Creation Society was largely viewed as a subject of literary studies. This research, however, evaluates these intellectuals in the context of Chinese revolution and elaborates their theoretical contribution to the Chinese Communist Party's practice of...

Tapestry of Light offers an account of the psychic, intellectual, and cultural aftermath of the Chinese Cultural Revolution. Drawing on a wide range of works including essay, fiction, memoir, painting and film, the book explores links between history, trauma and haunting. Challenging the leftist currents in Cultural Revolution scholarship, the tone pervading the book is a rhythm of melancholia, indeterminacy but also hope. Huang demonstrates that aesthetic afterlives resist both the conservative nostalgia for China's revolutionary past as well as China's elated, false confidence in the...