Providing both theory and praxis, this creative textbook explains how to write humour, comedy, satire, parody, nonsense, and both the literary and the joke monologue. Through its close analyses of short stories, sketches, essays and scripts, it should be useful to serious and not-so-serious writers of every genre. Guiding aspiring writers through the many techniques for creating humour, it illustrates and analyzes what works and what doesn't, suggests ways to energize passages that fall flat, and offers insights into brainstorming, team writing, and revision.
Providing both theory and praxis, this creative textbook explains how to write humour, comedy, satire, parody, nonsense, and both the literary and the...
For many students of Japanese culture and visitors to Japan, Japanese humor seems obscure, difficult to find, and perhaps even nonexistent. By bringing together scholarly insights and original research by both Japanese and non-Japanese experts, Jessica Milner Davis bridges the differences between humor in Japan and the West and examines the entire spectrum of Japanese humor, from ancient traditions and surviving rituals of laughter to the norms of joke-telling in ordinary conversation in Japan and America. For anyone interested in Japan and Japanese culture, or the study of humor,...
For many students of Japanese culture and visitors to Japan, Japanese humor seems obscure, difficult to find, and perhaps even nonexistent. By bringin...
In this lively and fascinating analysis of humourists and their work, Will Kaufman breaks new ground with his irony fatigue theory. The Comedian as Confidence Man examines the humorist's internal conflict between the social critic who demands to be taken seriously and the comedian who never can be: the irony fatigue condition.
In this lively and fascinating analysis of humourists and their work, Will Kaufman breaks new ground with his irony fatigue theory. The Comedian as Co...
