Since the 1980s a great deal has been written on the relationship between art, architecture, and urban planning and design, on the one hand, and the politics of space on the other. In Evictions Rosalyn Deutsche investigates -- and protests against -- the dominant uses of this interdisciplinary discourse. Deutsche argues that critics on both the left and the right invoke harmonious images of space that conceal and justify exclusions -- whether the space in question is a city, park, institution, exhibition, identity, or work of art. By contrast, she calls for a democratic spatial...